The Musgrave Ritual

An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should distinctly be an open-air pastime; and when Holmes in one of his queer humours would sit in an arm- chair, with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V.R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.

Our chambers were always full of chemicals and of criminal relics, which had a way of wandering into unlikely positions, and of turning up in the butter-dish, or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them, for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy, during which he would lie about with his violin and his books, hardly moving, save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner.

One winter’s night, as we sat together by the fire, I ventured to suggest to him that as he had finished pasting extracts into his commonplace book he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor, and squatting down upon a stool in front of it he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.

‘There are cases enough here, Watson,’ said he, looking at me with mischievous eyes. ‘I think that if you knew all that I have in this box you would ask me to pull some out instead of putting others in.’

‘These are the records of your early work, then?’ I asked. ‘I have often wished that I had notes of those cases.’

‘Yes, my boy; these were all done prematurely before my biographer had come to glorify me.’ He lifted bundle after bundle in a tender, caressing sort of way. ‘They are not all successes, Watson,’ said he, ‘but there are some pretty little problems among them. Here’s the record of the Tarleton murders and the case of Vamberry, the wine merchant, and the adventure of the old Russian woman, and the singular affair of the aluminium crutch, as well as a full account of Ricoletti of the club foot and his abominable wife. And here—ah, now! this really is something a little recherché.’

He dived his arm down to the bottom of the chest, and brought up a small wooden box, with a sliding lid, such as children’s toys are kept in. From within he produced a crumpled piece of paper, an old- fashioned brass key, a peg of wood with a ball of string attached to it, and three rusty old discs of metal.

‘Well, my boy, what do you make of this lot?’ he asked, smiling at my expression.

‘It is a curious collection.’

‘Very curious; and the story that hangs round it will strike you as being more curious still.’


  By PanEris using Melati.

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