The Fugitives

THE time, an hour short of midnight; the place, a French apartment, comprising some half-dozen rooms;-- a dull cold hall or corridor, a dining-room a drawing-room, a bed-chamber, and an inner drawing-room, or boudoir, smaller and more retired than the rest. All these shut in by one large pair of doors on the main staircase, but each room provided with two or three pairs of doors of its own, establishing several means of communication with the remaining portion of the apartment, or with certain small passages within the wall, leading, as is not unusual in such houses, to some back stairs with an obscure outlet below. The whole situated on the first floor of so large an Hotel, that it did not absorb one entire row of windows upon one side of the square court-yard in the centre, upon which the whole four sides of the mansion looked.

An air of splendour, sufficiently faded to be melancholy, and sufficiently dazzling to clog and embarrass the details of life with a show of state, reigned in these rooms. The walls and ceilings were gilded and painted; the floors were waxed and polished; crimson drapery hung in festoons from window, door, and mirror; candelabra, gnarled and intertwisted, like the branches of trees, or horns of animals, stuck out from the panels of the wall. But in the day-time, when the lattice-blinds (now closely shut) were opened, and the light let in, traces were discernible among this finery, of wear and tear and dust, of sun and damp and smoke, and lengthened intervals of want of use and habitation, when such shows and toys of life seem sensitive like life, and waste as men shut up in prison do. Even night, and clusters of burning candles, could not wholly efface them, though the general glitter threw them in the shade.

The glitter of bright tapers, and their reflection in looking-glasses, scraps of gilding and gay colours, were confined, on this night, to one room--that smaller room within the rest, just now enumerated. Seen from the hall, where a lamp was feebly burning, through the dark perspective of open doors, it looked as shining and precious as a gem. In the heart of its radiance sat a beautiful woman--Edith.

She was alone. The same defiant, scornful woman still. The cheek a little worn, the eye a little larger in appearance, and more lustrous, but the haughty bearing just the same. No shame upon her brow; no late repentance bending her disdainful neck. Imperious and stately yet, and yet regardless of herself and of all else, she sat with her dark eyes cast down, waiting for some one.

No book, no work, no occupation of any kind but her own thought, beguiled the tardy time. Some purpose, strong enough to fill up any pause, possessed her. With her lips pressed together, and quivering if for a moment she released them from her control; with her nostril inflated; her hands clasped in one another; and her purpose swelling in her breast; she sat, and waited.

At the sound of a key in the outer door, and a footstep in the hall, she started up, and cried `Who's that?' The answer was in French, and two men came in with jingling trays, to make preparation for supper.

`Who had bade them to do so?' she asked.

`Monsieur had commanded it, when it was his pleasure to take the apartment. Monsieur had said, when he stayed there for an hour, en route, and left the letter for Madame--Madame had received it surely?'

`Yes.'

`A thousand pardons! The sudden apprehension that it might have been forgotten had struck him;' a bald man, with a large beard from a neighbouring restaurant: `with despair!Monsieur had said that supper was to be ready at that hour: also that he had forewarned Madame of the commands he had given, in his letter. Monsieur had done the Golden Head the honour to request that the supper should be choice and delicate. Monsieur would find that his confidence in the Golden Head was not misplaced.'

Edith said no more, but looked on thoughtfully while they prepared the table for two persons, and set the wine upon it. She arose before they had finished, and taking a lamp, passed into the bed-chamber and into the drawing-room, where she hurriedly but narrowly examined all the doors; particularly one in the


  By PanEris using Melati.

Previous chapter Back Home Email this Search Discuss Bookmark Next chapter/page
Copyright: All texts on Bibliomania are © Bibliomania.com Ltd, and may not be reproduced in any form without our written permission. See our FAQ for more details.