Chapter 29

UNQUESTIONABLY MRS JARLEY had an inventive genius. In the midst of the various devices for attracting visitors to the exhibition, little Nell was not forgotten. The light cart in which the Brigand usually made his perambulations being gaily dressed with flags and streamers, and the Brigand placed therein, contemplating the miniature of his beloved as usual, Nell was accommodated with a seat beside him, decorated with artificial flowers, and in this state and ceremony rode slowly through the town every morning, dispersing handbills from a basket, to the sound of drum and trumpet. The beauty of the child, coupled with her gentle and timid bearing, produced quite a sensation in the little country place. The Brigand, heretofore a source of exclusive interest in the streets, became a mere secondary consideration, and to be important only as a part of the show of which she was the chief attraction. Grown-up folks began to be interested in the bright-eyed girl, and some score of little boys fell desperately in love, and constantly left enclosures of nuts and apples, directed in small text, at the wax-work door.

This desirable impression was not lost upon Mrs Jarley, who, lest Nell should become too cheap, soon sent the Brigand out alone again, and kept her in the exhibition room, where she described the figures every half-hour to the great satisfaction of admiring audiences. And these audiences were of a very superior description, including a great many young ladies’ boarding-schools, whose favour Mrs Jarley had been at great pains to conciliate, by altering the face and costume of Mr Grimaldi as clown to represent Mr Lindley Murray as he appeared when engaged in the composition of his English Grammar, and turning a murderess of great renown into Mrs Hannah More—both of which likenesses were admitted by Miss Monflathers, who was at the head of the head Boarding and Day Establishment in the town, and who condescended to take a Private View with eight chosen young ladies, to be quite startling from their extreme correctness. Mr Pitt in a nightcap and bedgown, and without his boots, represented the poet Cowper with perfect exactness; and Mary Queen of Scots, in a dark wig, white shirt-collar, and male attire, was such a complete image of Lord Byron that the young ladies quite screamed when they saw it. Miss Monflathers, however, rebuked this enthusiasm, and took occasion to reprove Mrs Jarley for not keeping her collection more select, observing that His Lordship had held certain free opinions quite incompatible with wax-work honours, and adding something about a Dean and Chapter, which Mrs Jarley did not understand.

Although her duties were sufficiently laborious, Nell found in the lady of the caravan a very kind and considerate person, who had not only a peculiar relish for being comfortable herself, but for making everybody about her comfortable also; which latter taste, it may be remarked, is, even in persons who live in much finer places than caravans, a far more rare and uncommon one than the first, and is not by any means its necessary consequence. As her popularity procured her various little fees from the visitors on which her patroness never demanded any toll, and as her grandfather too was well-treated and useful, she had no cause of anxiety in connexion with the wax-work, beyond that which sprung from her recollection of Quilp, and her fears that he might return and one day suddenly encounter them.

Quilp indeed was a perpetual nightmare to the child, who was constantly haunted by a vision of his ugly face and stunted figure. She slept, for their better security, in the room where the wax-work figures were, and she never retired to this place at night but she tortured herself—she could not help it—with imagining a resemblance, in some one or other of their death-like faces, to the dwarf, and this fancy would sometimes so gain upon her that she would almost believe he had removed the figure and stood within the clothes. Then there were so many of them with their great glassy eyes—and, as they stood one behind the other all about her bed, they looked like living creatures, and yet so unlike in their grim stillness and silence, that she had a kind of terror of them for their own sakes, and would often lie watching their dusky figures until she was obliged to rise and light a candle, or go and sit at the open window and feel a companionship in the bright stars. At these times, she would recall the old house and the window at which she used to sit alone; and then she would think of poor Kit and all his kindness, until the tears came into her eyes, and she would weep and smile together.

Often and anxiously at this silent hour, her thoughts reverted to her grandfather, and she would wonder how much he remembered of their former life, and whether he was ever really mindful of the change in their condition and of their late helplessness and destitution. When they were wandering about, she