Effect of the Letter - Sunrise

At dusk on the evening of St Valentine's Day Boldwood sat down to supper as usual, by a beaming fire of aged logs. Upon the mantelshelf before him was a time-piece, surmounted by a spread eagle, and upon the eagle's wings was the letter Bathsheba had sent. Here the bachelors gaze was continually listening itself, till the large red seal became as a blot of blood on the retina of his eye; and as he ate and drank he still read in fancy the words thereon, although they were too remote for his sight--

`MARRY ME.'

The pert injunction was like those crystal substances, which, colourless themselves, assume the tone of objects about them. Here, in the quiet of Boldwood's parlour, where everything that was not grave was extraneous, and where the atmosphere was that of a Puritan Sunday lasting all the week, the letter and its dictum changed their tenor from the thoughtlessness of their origin to a deep solemnity, imbibed from their accessories now.

Since the receipt of the missive in the morning, Boldwood had felt the symmetry of his existence to be slowly getting distorted in the direction of an ideal passion. The disturbance was as the first floating weed to Columbus* - the contemptibly little suggesting possibilities of the infinitely great.

The letter must have had an origin and a motive. That the latter was of the smallest magnitude compatible with its existence at all, Boldwood, of course, did not know. And such an explanation did not strike him as a possibility even. It is foreign to a mystified condition of mind to realize of the mystifier that the processes of approving a course suggested by circumstance, and of striking out a course from inner impulse, would look the same in the result. The vast difference between starting a train of events, and directing into a particular groove a series already started, is rarely apparent to the person confounded by the issue.

When Boldwood went to bed he placed the valentine in the corner of the looking-glass. He was conscious of its presence, even when his back was turned upon it. It was the first time in Boldwood's life that such an event had occurred. The same fascination that caused him to think it an act which had a deliberate motive prevented him from regarding it as an impertinence. He looked again at the direction. The mysterious influences of night invested the writing with the presence of the unknown writer. Somebody's - some woman's - hand had travelled softly over the paper bearing his name; her unrevealed eyes had watched every curve as she formed it; her brain had seen him in imagination the while. `Why should she have imagined him? Her mouth - were the lips red or pale, plump or creased? - had curved itself to a certain expression as the pen went on - the corners had moved with all their natural tremulousness: what had been the expression?

The vision of the woman writing, as a supplement to the words written, had no individuality. She was a misty shape, and well she might be, considering that her original was at that moment sound asleep and oblivious of all love and letter-writing under the sky. Whenever Boldwood dozed she took a form, and comparatively ceased to be a vision: when he awoke there was the letter justifying the dream.

The moon shone to-night, and its light was not of a customary kind. His window admitted only a reflection of its rays, and the pale sheen had that reversed direction which snow gives, coming upward and lighting up his ceiling in an unnatural way, casting shadows in strange places, and putting lights where shadows had used to be.

The substance of the epistle had occupied him but little in comparison with the fact of its arrival. He suddenly wondered if anything more might be found in the envelope than what he had withdrawn. He jumped out of bed in the weird light, took the letter, pulled out the flimsy sheet, shook the envelope - searched it. Nothing more was there. Boldwood looked, as he had a hundred times the preceding day, at the insistent red seal: `Marry me,' he said aloud.

The solemn and reserved yeoman again closed the letter, and stuck it in the frame of the glass. In doing so he caught sight of his reflected features, wan in expression, and insubstantial in form. He saw how