Chapter 46

Several days had passed since her futile journey, and Tess was afield. The dry winter wind still blew, but a screen of thatched hurdles erected in the eye of the blast kept its force away from her. On the sheltered side was a turnip-slicing machine, whose bright blue hue of new paint seemed almost vocal in the otherwise subdued scene. Opposite its front was a long mound or `grave', in which the roots had been preserved since early winter. Tess was standing at the uncovered end, chopping off with a bill- hook the fibres and earth from each root, and throwing it after the operation into the slicer. A man was turning the handle of the machine, and from its trough came the newly-cut swedes, the fresh smell of whose yellow chips was accompanied by the sounds of the snuffling wind, the smart swish of the slicing- blades, and the choppings of the hook in Tess's leather-gloved hand.

The wide acreage of blank agricultural brownness, apparent where the swedes had been pulled, was beginning to be striped in wales of darker brown, gradually broadening to ribands. Along the edge of each of these something crept upon ten legs, moving without haste and without rest up and down the whole length of the field; it was two horses and a man, the plough going between them, turning up the cleared ground for a spring sowing.

For hours nothing relieved the joyless monotony of things. Then, far beyond the ploughing-teams, a black speck was seen. It had come from the corner of a fence, where there was a gap, and its tendency was up the incline, towards the swede-cutters. From the proportions of a mere point it advanced to the shape of a ninepin, and was soon perceived to be a man in black, arriving from the direction of Flintcomb- Ash. The man at the slicer, having nothing else to do with his eyes, continually observed the comer, but Tess, who was occupied, did not perceive him till her companion directed her attention to his approach.

It was not her hard taskmaster, Farmer Groby; it was one in a semi-clerical costume, who now represented what had once been the free-and-easy Alec d'Urberville. Not being hot at his preaching there was less enthusiasm about him now, and the presence of the grinder seemed to embarrass him. A pale distress was already on Tess's face, and she pulled her curtained hood further over it.

D'Urberville came up and said quietly--

`I want to speak to you, Tess.'

`You have refused my last request, not to come near me!' said she.

`Yes, but I have a good reason.'

`Well, tell it.'

`It is more serious than you may think.'

He glanced round to see if he were overheard. They were at some distance from the man who turned the slicer, and the movement of the machine, too, sufficiently prevented Alec's words reaching other ears. D'Urberville placed himself so as to screen Tess from the labourer, turning his back to the latter.

`It is this,' he continued, with capricious compunction. `In thinking of your soul and mine when we last met, I neglected to inquire as to your worldly condition. You were well dressed, and I did not think of it. But I see now that it is hard - harder than it used to be when I - knew you - harder than you deserve. Perhaps a good deal of it is owing to me!'

She did not answer, and he watched her inquiringly, as, with bent head, her face completely screened by the hood, she resumed her trimming of the swedes. By going on with her work she felt better able to keep him outside her emotions.

`Tess,' he added, with a sigh of discontent,--'yours was the very worst case I ever was concerned in! I had no idea of what had resulted till you told me. Scamp that I was to foul that innocent life! The whole


  By PanEris using Melati.

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