hearth, when her simple soul uncovered itself to his, how pitiful her face had looked by the rays of the fire, in her inability to realize that his love and protection could possibly be withdrawn.

Thus from being her critic he grew to be her advocate. Cynical things he had uttered to himself about her; but no man can be always a cynic and live; and he withdrew them. The mistake of expressing them had arisen from his allowing himself to be influenced by general principles to the disregard of the particular instance.

But the reasoning is somewhat musty; lovers and husbands have gone over the ground before to-day. Clare had been harsh towards her; there is no doubt of it. Men are too often harsh with women they love or have loved; women with men. And yet these harshnesses are tenderness itself when compared with the universal harshness out of which they grow; the harshness of the position towards the temperament, of the means towards the aims, of to-day towards yesterday, of hereafter towards to-day.

The historic interest of her family - that masterful line of d'Urbervilles - whom he had despised as a spent force, touched his sentiments now. Why had he not known the difference between the political value and the imaginative value of these things? In the latter aspect her d'Urberville descent was a fact of great dimensions; worthless to economics, it was a most useful ingredient to the dreamer, to the moralizer on declines and falls. It was a fact that would soon be forgotten - that bit of distinction in poor Tess's blood and name, and oblivion would fall upon her hereditary link with the marble monuments and leaded skeletons at Kingsbere. So does Time ruthlessly destroy his own romances. In recalling her face again and again, he thought now that he could see therein a flash of the dignity which must have graced her grand-dames; and the vision sent that aura through his veins which he had formerly felt, and which left behind it a sense of sickness.

Despite her not inviolate past, what still abode in such a woman as Tess out valued the freshness of her fellows. Was not the gleaning of the grapes of Ephraim better than the vintage of Abi-ezer?

So spoke love renascent, preparing the way for Tess's devoted outpouring, which was then just being forwarded to him by his father; though owing to his distance inland it was to be a long time in reaching him.

Meanwhile the writer's expectation that Angel would come in response to the entreaty was alternately great and small. What lessened it was that the facts of her life which had led to the parting had not changed - could never change; and that, if her presence had not attenuated them, her absence could not. Nevertheless she addressed her mind to the tender question of what she could do to please him best if he should arrive. Sighs were expended on the wish that she had taken more notice of the tunes he played on his harp, that she had inquired more curiously of him which were his favourite ballads among those the country-girls sang. She indirectly inquired of Amby Seedling, who had followed Izz from Talbothays, and by chance Amby remembered that, amongst the snatches of melody in which they had indulged at the dairyman's, to induce the cows to let down their milk, Clare had seemed to like `Cupid's Gardens', `I have parks, I have hounds', and `The break o' the day'; and had seemed not to care for `The Tailor's Breeches', and `Such a beauty I did grow', excellent ditties as they were.

To perfect the ballads was now her whimsical desire. She practised them privately at odd moments, especially' The break o' the day':

Arise, arise, arise!
And pick your love a posy,
All o' the sweetest flowers
That in the garden grow.
The turtle doves and sma' birds
In every bough a-building,
So early in the May-time
At the break o' the day!

It would have melted the heart of a stone to hear her singing these ditties, whenever she worked apart from the rest of the girls in this cold dry time; the tears running down her cheeks all the while at the thought that perhaps he would not, after all, come to hear her, and the simple silly words of the songs resounding in painful mockery of the aching heart of the singer.