her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any.

There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it—“Come, Fanny,” she cried, “these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth’s cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. You are best off, I can tell you: but if nobody did more than you, we should not get on very fast”

Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf—

“One cannot wonder, sister, that Fanny should be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me.”

“Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers’ Vows.”

“I believe,” said Fanny to her aunt Bertram, “there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once.”

“You had better stay till the curtain is hung,” interposed Mrs. Norris; “the curtain will be hung in a day or two— there is very little sense in a play without a curtain— and I am much mistaken if you do not find it draw up into very handsome festoons.”

Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt’s composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love— a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady.

She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not believe they had yet rehearsed it, even in private.

The morrow came, the plan for the evening continued, and Fanny’s consideration of it did not become less agitated. She worked very diligently under her aunt’s directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it, most unnecessary rehearsal of the first act, which Henry Crawford was just proposing, desirous at once of having her time to herself, and of avoiding the sight of Mr. Rushworth. A glimpse, as she passed through the hall, of the two ladies walking up from the Parsonage made no change in her wish of retreat, and she worked and meditated in the East room, undisturbed, for a quarter of an hour, when a gentle tap at the door was followed by the entrance of Miss Crawford.

“Am I right? Yes; this is the East room. My dear Miss Price, I beg your pardon, but I have made my way to you on purpose to entreat your help.”

Fanny, quite surprised, endeavoured to show herself mistress of the room by her civilities, and looked at the bright bars of her empty grate with concern.


  By PanEris using Melati.

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