wrath became stiffen’d—the sound
Of breeding thunder
Went drowsily under,
Muttering to be unbound.
O why didst thou pity, and beg for a worm?
Why touch thy soft lute
Till the thunder was mute,
Why was I not crush’d—such a pitiful germ?
O Delphic Apollo!

The Pleiades were up,
Watching the silent air;
The seeds and roots in Earth
Were swelling for summer fare;
The Ocean, its neighbour,
Was at his old labour,
When, who—who did dare
To tie for a moment thy plant round his brow,
And grin and look proudly,
And blaspheme so loudly
And live for that honour, to stoop to thee now?
O Delphic Apollo!

As From The Darkening Gloom

As from the darkening gloom a silver dove
Upsoars, and darts into the eastern light,
On pinions that nought moves but pure delight,
So fled thy soul into the realms above,
Regions of peace and everlasting love;
Where happy spirits, crown’d with circlets bright
Of starry beam, and gloriously bedight,
Taste the high joy none but the blest can prove.
There thou or joinest the immortal quire
In melodies that even heaven fair
Fill with superior bliss, or, at desire
O’ the omnipotent Father, cleav’st the air
On holy message sent.—What pleasure’s higher?
Wherefore does any grief our joy impair?

Summer’s Eve

Oh! how I love, on a fair summer’s eve,
When streams of light pour down the golden west,
And on the balmy zephyrs tranquil rest
The silver clouds, far—far away to leave
All meaner thoughts, and take a sweet reprieve
From little cares; to find, with easy quest,
A fragrant wild, with Nature’s beauty drest,
And there into delight my soul deceive,
There warm my breast with patriotic lore,
Musing on Milton’s fate—on Sydney’s bier—
Till their stern forms before my mind arise:
Perhaps on wing of Poesy upsoar,
Full often dropping a delicious tear,
When some melodious sorrow spells mine eyes.

After Dark Vapours

After dark vapours have oppress’d our plains
For a long dreary season, comes a day
Born of the gentle South, and clears away
From the sick heavens all unseemly stains.
The anxious month, relieved from its pains,
Takes as a long-lost right the feel of May,
The eye-lids with the passing coolness play,
Like rose- leaves with the drip of summer rains.
And calmest thoughts come round us—as of leaves
Budding—fruit ripening in stillness—autumn suns
Smiling at eve upon the quiet sheaves,—
Sweet Sappho’s cheek,—a sleeping infant’s breath,—
The gradual sand that through an hour-glass runs,—
A woodland rivulet,—a Poet’s death.

Jan., 1817.

Written on the Blank Space of a Leaf at the end of Chaucer’s Tale Of “The Flowre and The Lefe”

This pleasant tale is like a little copse;
The honied lines so freshly interlace,
To keep the reader in so sweet a place,
So that he here and there full-hearted stops;
And oftentimes he feels the dewy drops
Come cool and suddenly against his face,
And, by the wandering melody, may trace
Which way the tender- legged linnet hops.
Oh! what a power has white simplicity!
What mighty power has this gentle story!
I, that do ever feel athirst for glory,
Could at this moment be content to lie
Meekly upon the grass, as those whose sobbings
Were heard of none beside the mournful robins.

1817.

On Seeing The Elgin Marbles For The First Time

My spirit is too weak; mortality
Weighs heavily on me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet ’tis a gentle luxury

  By PanEris using Melati.

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