love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Make your best bow to her and bid adieu,
Then, if she likes it, she will follow you.

1819.

On Fame

“You cannot eat your cake and have it too.”—Proverb.

How fever’d is the man, who cannot look
Upon his mortal days with temperate blood,
Who vexes all the leaves of his life’s book,
And robs his fair name of its maidenhood;
It is as if the rose should pluck herself,
Or the ripe plum finger its misty bloom,
As if a Naiad, like a meddling elf,
Should darken her pure grot with muddy gloom;
But the rose leaves herself upon the briar,
For winds to kiss and grateful bees to feed,
And the ripe plum still wears its dim attire;
The undisturbed lake has crystal space;
Why then should man, teasing the world for grace,
Spoil his salvation for a fierce miscreed?

1819.

On The Sonnet

If by dull rhymes our English must be chain’d,
And, like Andromeda, the Sonnet sweet
Fetter’d, in spite of pained loveliness;
Let us find out, if we must be constrain’d,
Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weight the stress
Of every chord, and see what may be gain’d
By ear industrious, and attention meet;
Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;
So, if we may not let the Muse be free,
She will be bound with garlands of her own.

1819.

A Party of Lovers

Pensive they sit, and roll their languid eyes,
Nibble their toast and cool their tea with sighs;
Or else forget the purpose of the night,
Forget their tea, forget their appetite.
See, with cross’d arms they sit—Ah! happy crew,
The fire is going out and no one rings
For coals, and therefore no coals Betty brings.
A fly is in the milk-pot. Must he die
Circled by a humane society?
No, no; there, Mr Werter takes his spoon,
Inserts it, dips the handle, and lo! soon
The little straggler, sav’d from perils dark,
Across the teaboard draws a long wet mark.

Romeo! Arise, take snuffers by the handle,
There’s a large cauliflower in each candle.
A winding sheet—ah, me! I must away
To No. 7, just beyond the circus gay.
Alas, my friend, your coat sits very well;
Where may your Tailor live? I may not tell
O pardon me. I’m absent now and then
Where might my Tailor live? I say again
I cannot tell, let me no more be teazed;
He lives in Wapping, might live where he pleased.

The Day is Gone

The day is gone, and all its sweets are gone!
Sweet voice, sweet lips, soft hand, and softer breast,
Warm breath, light whisper, tender semi-tone,
Bright eyes, accomplish’d shape, and lang’rous waist!
Faded the flower and all its budded charms,
Faded the sight of beauty from my eyes,
Faded the shape of beauty from my arms,
Faded the voice, warmth, whiteness, paradise—
Vanish’d unseasonably at shut of eve,
When the dusk holiday—or holinight
Of fragrant-curtain’d love begins to weave
The woof of darkness thick, for hid delight;
But, as I’ve read love’s missal through to-day,
He’ll let me sleep, seeing I fast and pray.

1819.

  By PanEris using Melati.

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