least for me,—so sweet as drowsy noons,
And evenings steep’d in honied indolence;
O, for an age so shelter’d from annoy,
That I may never know how change the moons,
Or hear the voice of busy common- sense!

And once more came they by;—alas! wherefore?
My sleep had been embroider’d with dim dreams;
My soul had been a lawn besprinkled o’er
With flowers, and stirring shades, and baffled beams:
The morn was clouded, but no shower fell,
Tho’ in her lids hung the sweet tears of May;
The open casement press’d a new-leaved vine,
Let in the budding warmth and throstle’s lay;
O Shadows! ’twas a time to bid farewell!
Upon your skirts had fallen no tears of mine.

So, ye three Ghosts, adieu! Ye cannot raise
My head cool-bedded in the flowery grass;
For I would not be dieted with praise,
A pet-lamb in a sentimental farce!
Fade softly from my eyes, and be once more
In masque-like figures on the dreamy urn;
Farewell! I yet have visions for the night,
And for the day faint visions there is store;
Vanish, ye Phantoms! from my idle spright,
Into the clouds, and never more return!

Why did I Laugh To-Night?

Why did I laugh to-night? No voice will tell:
No God, no Demon of severe response,
Deigns to reply from Heaven or from Hell.
Then to my human heart I turn at once.
Heart! Thou and I are here, sad and alone;
I say, why did I laugh? O mortal pain!
O Darkness! Darkness! ever must I moan,
To question Heaven and Hell and Heart in vain
Why did I laugh? I know this Being’s lease,
My fancy to its utmost blisses spreads;
Yet would I on this very midnight cease,
And the world’s gaudy ensigns see in shreds;
Verse, Fame, and Beauty are intense indeed,
But Death intenser—Death is Life’s high meed.

1819.

On A Dream

As Hermes once took to his feathers light,
When lulled Argus, baffled, swoon’d and slept,
So on a Delphic reed, my idle spright,
So play’d, so charm’d, so conquer’d, so bereft
The dragon-world of all its hundred eyes,
And seeing it asleep, so fled away,
Not to pure Ida with its snow-cold skies,
Nor unto Tempe, where Jove grieved a day;
But to that second circle of sad Hell,
Where in the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows,—pale were the sweet lips I saw,
Pale were the lips I kiss’d, and fair the form
I floated with, about that melancholy storm.

1819.

On Charles Armitage Brown

Three Spenserian Stanzas

1

He is to weet a melancholy carle:
Thin in the waist, with bushy head of hair,
As hath the seeded thistle when a parle
It holds with Zephyr, ere it sendeth fair
Its light balloons into the summer air;
Therto his beard had not begun to bloom,
No brush had touch’d his chin or razor sheer;
No care had touch’d his cheek with mortal doom,
But new he was and bright as scarf from Persian loom.

2

Ne cared he for wine, or half-and-half
Ne cared he for fish or flesh or fowl,
And sauces held he worthless as the chaff;
He ’sdeigned the swine-head at the wassail-bowl;
Ne with lewd ribbalds sat he cheek by

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