Resolved, she took with her an aged nurse,
And went into that dismal forest-hearse.
How she doth whisper to that aged dame,
And, after looking round the champaign wide,
Shows her a knife.—“What feverous hectic flame
Burns in thee, child?—what good can thee betide
That thou shouldst smile again?”—The evening came
And they had found Lorenzo’s earthly bed;
The flint was there, the berries at his head.
And let his spirit, like a demon mole,
Work through the clayey soil and gravel hard,
To see skull, coffin’d bones, and funeral stole;
Pitying each form that hungry Death had marr’d,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem’d to grow,
Like to a native lily of the dell:
Then with her knife, all sudden she began
To dig more fervently than misers can.
Her silk had play’d in purple phantasies;
She kiss’d it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant’s cries:
Then ’gan she work again; nor stay’d her care,
But to throw back at times her veiling hair.
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour’d at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel’s song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:—O turn thee to the very tale,
And taste the music of that vision pale.
They cut away no formless monster’s head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss’d it, and low moan’d.
’Twas love; cold,—dead indeed, but not dethroned.
And then the prize was all for Isabel:
She calm’d its wild hair with a golden comb,
And all around each eye’s sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench’d away: and still she comb’d and kept
Sighing all day—and still she kiss’d and wept.
Of precious flowers pluck’d in Araby,
And divine liquids come with odorous ooze
Through the cold serpent-pipe refreshfully,—
She wrapp’d it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover’d it with mould, and o’er it set
Sweet Basil, which her tears kept ever wet.
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten’d it with tears unto the core.
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human
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