widow’d wombs after their Lord’s decease:
Yet this abundant issue seem’d to me
But hope of orphans and unfather’d fruit;
For Summer and his pleasures wait on thee,
And, thou away, the very birds are mute:
    Or if they sing, ’tis with so dull a cheer
    That leaves look pale, dreading the Winter’s near.

167    (xiii)

FROM you have I been absent in the spring,
When proud-pied April, dress’d in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laugh’d and leap’d with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew;
Nor did I wonder at the Lily’s white,
Nor praise the deep vermilion in the Rose;
They were but sweet, but figures of delight,
Drawn after you, you pattern of all those.
    Yet seem’d it Winter still, and, you away,
    As with your shadow I with these did play.

168   (xiv)

MY love is strengthen’d, though more weak in seeming;
I love not less, though less the show appear:
That love is merchandised whose rich esteeming
The owner’s tongue doth publish everywhere.
Our love was new, and then but in the spring,
When I was wont to greet it with my lays;
As Philomel in Summer’s front doth sing
And stops her pipe in growth of riper days:
Not that the Summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burthens every bough,
And sweets grown common lose their dear delight.
    Therefore, like her, I sometime hold my tongue,
    Because I would not dull you with my song.

169   (xv)

TO me, fair friend, you never can be old;
For as you were when first your eye I eyed,
Such seems your beauty still. Three Winters cold
Have from the forests shook three Summers’ pride;
Three beauteous Springs to yellow Autumn turn’d
In process of the seasons have I seen,
Three April perfumes in three hot Junes burn’d,
Since first I saw you fresh, which yet are green,
Ah! yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
    For fear of which, hear this, thou age unbred:
    Ere you were born was beauty’s Summer dead.

170   (xvi)

WHEN in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rime
In praise of Ladies dead and lovely Knights;
Then, in the blazon of sweet beauty’s best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have exprest
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring;
And for they look’d but with divining eyes,
They had not skill enough your worth to sing:
    For we, which now behold these present days,
    Have eyes to wonder, but lack tongues to praise.

171   (xvii)

O NEVER say that I was false of heart,
Though absence seem’d my flame to qualify!
As easy might I from myself depart,
As from my soul, which in thy breast doth lie:
That is my home of love; if I have ranged,
Like him that travels I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe, though in my nature reign’d
All frailties that besiege all kinds of blood,
That it could so prepost’rously be stain’d,
To leave for nothing all thy sum of good:
    For nothing this wide Universe I call,
    Save thou, my Rose; in it thou art my all.

172   (xviii)

LET me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixàed mark,
That looks on tempests and


  By PanEris using Melati.

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