FROM low to high doth dissolution climb, And sink from high to low, along a scale Of awful
notes, whose concord shall not fail; A musical but melancholy chime, Which they can hear who meddle
not with crime, Nor avarice, nor over-anxious care. Truth fails not; but her outward forms that bear The
longest date do melt like frosty rime, That in the morning whitend hill and plain And is no more; drop like
the tower sublime Of yesterday, which royally did wear His crown of weeds, but could not even sustain Some
casual shout that broke the silent air, Or the unimaginable touch of Time.
THERES not a nook within this solemn Pass But were an apt confessional for one Taught
by his summer spent, his autumn gone, That Life is but a tale of morning grass Witherd at eve. From
scenes of art which chase That thought away, turn, and with watchful eyes Feed it mid Natures old felicities, Rocks,
rivers, and smooth lakes more clear than glass Untouchd, unbreathed upon. Thrice happy quest, If from
a golden perch of aspen spray (Octobers workmanship to rival May) The pensive warbler of the ruddy
breast That moral sweeten by a heaven-taught lay, Lulling the year, with all its cares, to rest!
WHY art thou silent! Is thy love a plant Of such weak fibre that the treacherous air Of absence
withers what was once so fair? Is there no debt to pay, no boon to grant? Yet have my thoughts for thee
been vigilant Bound to thy service with unceasing care, The minds least generous wish a mendicant For
naught but what thy happiness could spare. Speakthough this soft warm heart, once free to hold A
thousand tender pleasures, thine and mine, Be left more desolate, more dreary cold Than a forsaken
birds-nest filld with snow Mid its own bush of leafless eglantine Speak, that my torturing doubts their
end may know
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By PanEris
using Melati.
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