Upon a Dying Lady
With the old kindness, the old distinguished grace, | She lies, her lovely piteous head
amid dull red hair | Propped upon pillows, rouge on the pallor of her face. | She would not have us sad
because she is lying there, | And when she meets our gaze her eyes are laughter-lit, | Her speech a wicked
tale that we may vie with her, | Matching our broken-hearted wit against her wit, | Thinking of saints and of
Petronius Arbiter. | | | | | II | | | | | Certain Artists bring her Dolls and Drawings | | | | | Bring where our Beauty lies | A new
modelled doll, or drawing, | With a friends or an enemys | Features, or maybe showing | Her features when
a tress | Of dull red hair was flowing | Over some silken dress | Cut in the Turkish fashion, | Or, it may be,
like a boys. | We have given the world our passion, | We have naught for death but toys. | | | | | III | | | | | She turns
the Dolls Faces to the Wall | | | | | Because to-day is some religious festival | They had a priest say Mass, and
even the Japanese, | Heel up and weight on toe, must face the wall | Pedant in passion, learned in old
courtesies, | Vehement and witty she had seemed; the Venetian lady | Who had seemed to glide to some
intrigue in her red shoes, | Her domino, her panniered skirt copied from Longhi; | The meditative critic; all
are on their toes, | Even our Beauty with her Turkish trousers on. | Because the priest must have like every
dog his day | Or keep us all awake with baying at the moon, | We and our dolls being but the world were
best away. | | | | | She is playing like a child | And penance is the play, | Fantastical and wild | Because the end of day | Shows her that some one soon | Will come from the house, and say | Though
play is but half done | Come in and leave the play. | | | | | She has not grown uncivil | As narrow
natures would | And called the pleasures evil | Happier days thought good; | She knows herself a woman, | No red and white of a face, | Or rank, raised from a common | Unreckonable race; | And how should her
heart fail her | Or sickness break her will | With her dead brothers valour | For an example still? | | | | | When her soul flies to the predestined dancing-place | (I have no speech but symbol, the pagan
speech I made | Amid the dreams of youth) let her come face to face, | Amid that first astonishment, with
Granias shade, | All but the terrors of the woodland flight forgot | That made her Diarmuid dear, and some
old cardinal | Pacing with half-closed eyelids in a sunny spot | Who had murmured of Giorgione at his latest
breath | Aye, and Achilles, Timor, Babar, Barhaim, all | Who have lived in joy and laughed into the face
of Death. | | | | | VII | | | | | Her Friends bring her a Christmas Tree | | | | | Pardon, great enemy, | Without an angry thought | Weve carried in our tree, | And here and there have bought | Till all the boughs are gay, | And she may
look from the bed | On pretty things that may | Please a fantastic head. | Give her a little grace, | What if a
laughing eye | Have looked into your face? | It is about to die. |
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By PanEris
using Melati.
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