Sailing to Byzantium
I | | | | | That is no country for old men. The young | In one anothers arms, birds in the trees, | Those dying
generationsat their song, | The salmon-falls, the mackerel-crowded seas, | Fish, flesh, or fowl, commend
all summer long | Whatever is begotten, born, and dies. | Caught in that sensual music all neglect | Monuments
of unageing intellect. | | | | | II | | | | | An aged man is but a paltry thing, | A tattered coat upon a stick, unless | Soul
clap its hands and sing, and louder sing | For every tatter in its mortal dress, | Nor is there singing school
but studying | Monuments of its own magnificence; | And therefore I have sailed the seas and come | To the
holy city of Byzantium. | | | | | III | | | | | O sages standing in Gods holy fire | As in the gold mosaic of a wall, | Come
from the holy fire, perne in a gyre, | And be the singing-masters of my soul. | Consume my heart away; sick
with desire | And fastened to a dying animal | It knows not what it is; and gather me | Into the artifice of eternity. | | | | | IV | | | | | Once out of nature I shall never take | My bodily form from any natural thing, | But such a form as Grecian
goldsmiths make | Of hammered gold and gold enamelling | To keep a drowsy Emperor awake; | Or set
upon a golden bough to sing | To lords and ladies of Byzantium | Of what is past, or passing, or to come. | 1927 |
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By PanEris
using Melati.
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