Meditations in Time of Civil War
Surely among a rich mans flowering lawns, | Amid the rustle of his planted hills, | Life
overflows without ambitious pains; | And rains down life until the basin spills, | And mounts more dizzy
high the more it rains | As though to choose whatever shape it wills | And never stoop to a mechanical | Or
servile shape, at others beck and call. | | | | | Mere dreams, mere dreams! Yet Homer had not sung | Had he
not found it certain beyond dreams | That out of lifes own self-delight had sprung | The abounding glittering
jet; though now it seems | As if some marvellous empty sea-shell flung | Out of the obscure dark of the
rich streams, | And not a fountain, were the symbol which | Shadows the inherited glory of the rich. | | | | | Some
violent bitter man, some powerful man | Called architect and artist in, that they, | Bitter and violent men,
might rear in stone | The sweetness that all longed for night and day, | The gentleness none there had ever
known; | But when the masters buried mice can play, | And maybe the great-grandson of that house, | For
all its bronze and marble, s but a mouse. | | | | | O what if gardens where the peacock strays | With delicate
feet upon old terraces, | Or else all Juno from an urn displays | Before the indifferent garden deities; | O
what if levelled lawns and gravelled ways | Where slippered Contemplation finds his ease | And Childhood
a delight for every sense, | But take our greatness with our violence? | | | | | What if the glory of escutcheoned
doors, | And buildings that a haughtier age designed, | The pacing to and fro on polished floors | Amid great
chambers and long galleries, lined | With famous portraits of our ancestors; | What if those things the greatest
of mankind | Consider most to magnify, or to bless, | But take our greatness with our bitterness? | | | | | An ancient bridge, and a more ancient tower, | A farmhouse that is sheltered by its wall, | An acre
of stony ground, | Where the symbolic rose can break in flower, | Old ragged elms, old thorns innumerable, | The sound of the rain or sound | Of every wind that blows; | The stilted water-hen | Crossing stream again | Scared by the splashing of a dozen cows; | | | | | A winding stair, a chamber arched with stone, | A grey stone
fireplace with an open hearth, | A candle and written page. | Il Penserosos Platonist toiled on | In some
like chamber, shadowing forth | How the daemonic rage | Imagined everything. | Benighted travellers | From
markets and from fairs | Have seen his midnight candle glimmering. | | | | | Two men have founded here. A
man-at-arms | Gathered a score of horse and spent his days | In this tumultuous spot, | Where through long
wars and sudden night alarms | His dwindling score and he seemed castaways | Forgetting and forgot; | And I, that after me | My bodily heirs may find, | To exalt a lonely mind, | Befitting emblems of adversity. | | | | | Two heavy trestles, and a board | Where Satos gift, a changeless sword, | By pen and paper
lies, | That it may moralise | My days out of their aimlessness. | A bit of an embroidered dress | Covers its
wooden sheath. | Chaucer had not drawn breath | When it was forged. In Satos house, | Curved like new
moon, moon-luminous, | It lay five hundred years. | Yet if no change appears | No moon; only an aching
heart | Conceives a changeless work of art. | Our learned men have urged | That when and where twas
forged | A marvellous accomplishment, | In painting or in pottery, went | From father unto son | And through
the centuries ran | And seemed unchanging like the sword. | Souls beauty being most adored, | Men and
their business took | The souls unchanging look; | For the most rich inheritor, | Knowing that none could
pass Heavens door | That loved inferior art, | Had such an aching heart | That he, although a countrys
talk | For silken clothes and stately walk, | Had waking wits; it seemed | Junos peacock screamed. | | | | | Having inherited a vigorous mind | From my old fathers, I must nourish dreams | And leave
a woman and a man behind | As vigorous of mind, and yet it seems | Life scarce can cast a fragrance on
the wind, | Scarce spread a glory to the morning beams, | But the torn petals strew the garden plot; | And
theres but common greenness after that. | | | | | And what if my descendants lose the flower | Through natural
declension of the soul, | Through too much business with the passing hour, | Through too much play, or
marriage with a fool? | May this laborious stair and this stark tower | Become a roofless ruin that the owl | May build in the cracked masonry and cry | Her desolation to the desolate sky. | | | | | The Primum Mobile that
fashioned us | Has made the very owls in circles move; | And I, that count myself most prosperous, | Seeing
that love and friendship are enough, | For an old neighbours friendship chose the house | And decked and
altered it for a girls love, | And know whatever flourish and decline | These stones remain their monument
and mine. | | | | | An affable Irregular, | A heavily-built Falstaffian man, | Comes cracking
jokes of civil war | As though to die by gunshot were | The finest play under the sun. | | | | | A brown Lieutenant
and his men, | Half dressed in national uniform, | Stand at my door, and I complain | Of the foul weather,
hail and rain, | A pear tree broken by the storm. | | | | | I count those feathered balls of soot | The moor-hen guides
upon the stream, | To silence the envy in my thought; | And turn towards my chamber, caught | In the cold
snows of a dream. | | | | | VI | | | | | The Stares Nest by My Window | | | | | The bees build in the crevices | Of loosening |
|