The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the
woodpile,
Through the swung half-door of the kitchen I saw him limpsy
and weak,
And went where he
sat on a log and led him in and assured
him,
And brought water and fill'd a tub for his sweated body and
bruis'd feet,
And gave him a room that enter'd from my own, and gave
him some coarse clean clothes,
And
remember perfectly well his revolving eyes and his awkwardness,
And remember putting plasters on the
galls of his neck and
ankles;
He staid with me a week before he was recuperated and
pass'd north,
I had
him sit next me at table, my fire-lock lean'd in the
corner.
11 Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight
years of womanly life and all so lonesome.
She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of
the
window.
Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.
Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.
Dancing and laughing along the beach came the twenty-ninth bather,
The rest did not see her, but she
saw them and loved them.
The beards of the young men glisten'd with wet, it ran from
their long hair,
Little streams pass'd all over
their bodies.
An unseen hand also pass'd over their bodies,
It descended tremblingly from their temples and ribs.
The young men float on their backs, their white bellies bulge
to the sun, they do not ask who seizes
fast to them,
They do not know who puffs and declines with pendant and
bending arch,
They do not think
whom they souse with spray.
12 The butcher-boy puts off his killing-clothes, or sharpens his
knife at the stall in the market,
I loiter enjoying
his repartee and his shuffle and break-down.
Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out,
there is a great
heat in the fire.
From the cinder-strew'd threshold I follow their movements,
The lithe sheer of their waists plays even
with their massive
arms,
Overhand the hammers swing, overhand so slow, overhand
so sure,
They do
not hasten, each man hits in his place.
13 The negro holds firmly the reins of his four horses, the block
swags underneath on its tied-over chain,
The
negro that drives the long dray of the stone-yard, steady
and tall he stands pois'd on one leg on the
string-piece,
His blue shirt exposes his ample neck and breast and loosens
over his hip-band,
His glance
is calm and commanding, he tosses the slouch of
his hat away from his forehead,
The sun falls on his
crispy hair and mustache, falls on the
black of his polish'd and perfect limbs.
I behold the picturesque giant and love him, and I do not
stop there,
I go with the team also.
In me the caresser of life wherever moving, backward as well
as forward sluing,
To niches aside and
junior bending, not a person or object
missing,
Absorbing all to myself and for this song.