Trottoirs throng'd, vehicles, Broadway, the women,
the shops and shows,
A million people manners
free and superb
open voices hospitality
the most courageous and friendly young
men,
City of
hurried and sparkling waters! city of spires
and masts!
City nested in bays! my city!
1860 1881
ALL IS TRUTH
O ME, man of slack faith so long,
Standing aloof, denying portions so long,
Only aware to-day of compact
all-diffused truth,
Discovering to-day there is no lie or form of lie,
and can be none, but grows as inevitably
upon
itself as the truth does upon itself,
Or as any law of the earth or any natural production
of the earth
does.
(This is curious and may not be realized immediately,
but it must be realized,
I feel in myself that I represent
falsehoods equally
with the rest,
And that the universe does.)
Where has fail'd a perfect return indifferent of lies
or the truth?
Is it upon the ground, or in water or fire?
or in the
spirit of man? or in the meat and blood?
Meditating among liars and retreating sternly into
myself, I see that there are really no liars or
lies after
all,
And that nothing fails its perfect return, and that
what are called lies are perfect returns,
And that each
thing exactly represents itself and
what has preceded it,
And that the truth includes all, and is compact
just
as much as space is compact,
And that there is no flaw or vacuum in the amount
of the truth but
that all is truth without
exception;
And henceforth I will go celebrate any thing I see
or am,
And sing and
laugh and deny nothing.
1860 1871
A RIDDLE SONG
THAT which eludes this verse and any verse,
Unheard by sharpest ear, unform'd in clearest eye
or cunningest
mind,
Nor lore nor fame, nor happiness nor wealth,
And yet the pulse of every heart and life throughout
the world incessantly,
Which you and I and all pursuing ever ever miss,
Open but still a secret, the real
of the real, an
illusion,
Costless, vouchsafed to each, yet never man the
owner,
Which poets vainly seek
to put in rhyme, historians
in prose,
Which sculptor never chisel'd yet, not painter painted,
Which vocalist
never sung, nor orator nor actor ever
utter'd,
Invoking here and how I challenge for my song.
Indifferently, 'mid public, private haunts, in solitude,
Behind the mountain and the wood,
Companion of the
city's busiest streets, through
the assemblage,
It and its radiations constantly glide.
In looks of fair unconscious babes,
Or strangely in the coffin'd dead,
Or show of breaking dawn or stars
by night,
As some dissolving delicate film of dreams,
Hiding yet lingering.
Two little breaths of words comprising it,
Two words, yet all from first to last comprised
in it.
How ardently for it!
How many ships have sail'd and sunk for it!
How many travelers started from their
homes and
ne'er return'd!
How much of genius boldly staked and lost for it!
What countless stores of
beauty, love, ventur'd
for it!
How all superbest deeds since Time began are
traceable to it and shall
be to the end!
How all heroic martyrdoms to it!
How, justified by it, the horrors, evils, battles of
the earth!
How the bright fascinating lambent flames of
it, in
every age and land, have drawn men's eyes,
Rich as a sunset on the Norway coast, the sky, the
islands, and the cliffs,
Or midnight's silent glowing northern lights unreachable.
Haply God's riddle it, so vague and yet so certain,
The soul for it, and all the visible universe for it,
And
heaven at last for it.
1881 1881