and insincerity of character. He did gaze, however, and said to himself that his features had never before possessed so rich a grace, nor his eyes such vivacity, nor his cheeks so warm a hue of superabundant life.

‘At least,’ thought he, ‘her poison has not yet insinuated itself into my system. I am no flower to perish in her grasp.’

With that thought he turned his eyes on the bouquet, which he had never once laid aside from his hand. A thril of indefinable horror shot through his frame on perceiving that these dewy flowers were already beginning to droop; they wore the aspect of things that had been fresh and lovely yesterday. Giovanni grew white as marble, and stood motionless before the mirror, staring at his own reflection there as at the likeness of something frightful. He remembered Baglioni’s remark about the fragrance that seemed to pervade the chamber. It must have been the poison in his breath! Then he shuddered—shuddered at himself. Recovering from his stupor, he began to watch with curious eye a spider that was busily at work hanging its web from the antique cornice of the apartment, crossing and recrossing the artful system of interwoven lines—as vigorous and active a spider as ever dangled from an old ceiling. Giovanni bent towards the insect, and emitted a deep, long breath. The spider suddenly ceased its toil; the web vibrated with a tremor originating in the body of the small artisan. Again Giovanni sent forth a breath, deeper, longer, and imbued with a venomous feeling out of his heart: he knew not whether he were wicked, or only desperate. The spider made a convulsive grip with his limbs and hung dead across the window.

‘Accursed! accursed!’ muttered Giovanni, addressing himself. ‘Hast thou grown so poisonous that this deadly insect perishes by thy breath?’

At that moment a rich, sweet voice came floating up from the garden.

‘Giovanni! Giovanni! It is past the hour! Why tarriest thou? Come down!’

‘Yes,’ muttered Giovanni again. ‘She is the only being whom my breath may not slay! Would that it might!’

He rushed down, and in an instant was standing before the bright and loving eyes of Beatrice. A moment ago his wrath and despair had been so fierce that he could have desired nothing so much as to wither her by a glance; but with her actual presence there came influences which had too real an existence to be at once shaken off; recollections of the delicate and benign power of her feminine nature, which had so often enveloped him in a religious calm; recollections of many a holy and passionate outgush of her heart, when the pure fountain had been unsealed from its depths and made visible in its transparency to his mental eye; recollections which, had Giovanni known how to estimate them, would have assured him that all this ugly mystery was but an earthly illusion, and that, whatever mist of evil might seem to have gathered over her, the real Beatrice was a heavenly angel. Incapable as he was of such high faith, still her presence had not utterly lost its magic. Giovanni’s rage was quelled into an aspect of sullen insensibility. Beatrice, with a quick spiritual sense, immediately felt that there was a gulf of blackness between them which neither he nor she could pass. They walked on together, sad and silent, and came thus to the marble fountain and to its pool of water on the ground, in the midst of which grew the shrub that bore gem-like blossoms. Giovanni was affrighted at the eager enjoyment—the appetite, as it were—with which he found himself inhaling the fragrance of the flowers.

‘Beatrice,’ asked he, abruptly, ‘whence came this shrub?’

‘My father created it,’ answered she, with simplicity.

‘Created it! created it!’ repeated Giovanni. ‘What mean you, Beatrice?’

‘He is a man fearfully acquainted with the secrets of nature,’ replied Beatrice; ‘and, at the hour when I first drew breath, this plant sprang from the soil, the offspring of his science, of his intellect, while I was but his earthly child. Approach it not!’ continued she, observing with terror that Giovanni was drawing