Reginald's Peace Poem

‘I’m writing a poem on Peace,’ said Reginald, emerging from a sweeping operation through a tin of mixed biscuits, in whose depths a macaroon or two might yet be lurking.

‘Something of the kind seems to have been attempted already,’ said the Other.

‘Oh, I know; but I may never have the chance again. Besides, I’ve got a new fountain pen. I don’t pretend to have gone on any very original lines; in writing about Peace the thing is to say what everybody else is saying, only to say it better. It begins with the usual ornithological emotion:

‘Vereeniginging is good, but why widgeon?’

‘Why not? Anything that winged westward would naturally begin with a w.’

‘Need it wing westward?’

‘The bird must go somewhere. You wouldn’t have it hang around and look foolish. Then I’ve brought in something about the heedless hartebeest galloping over the deserted veldt.’

‘Of course you know it’s practically extinct in those regions?’

‘I can’t help that, it gallops so nicely. I make it have all sorts of unexpected yearnings:

Of course you’ll say there would be no traffic worth bothering about on the bare and sun-scorched veldt, but there’s no other word that rhymes with maffick.’

‘Seraphic?’

Reginald considered. ‘It might do, but I’ve got a lot about angels later on. You must have angels in a Peace poem; I know dreadfully little about their habits.’

‘They can do unexpected things, like the hartebeest.’

‘Of course. Then I turn on London, the City of Dreadful Nocturnes, resonant with hymns of joy and thanksgiving:

Longfellow at his best wrote nothing like that.’

‘I agree with you.’

‘I wish you wouldn’t. I’ve a sweet temper, but I can’t stand being agreed with. And I’m so worried about the aasvogel.’

Reginald stared dismally at the biscuit-tin, which now presented an unattractive array of rejected cracknels.

‘I believe,’ he murmured, ‘if I could find a woman with an unsatisfied craving for cracknels, I should marry her.’

‘What is the tragedy of the aasvogel?’ asked the Other sympathetically.