‘When I think of those multitudes, swathed in their bands, of those myriads of dried-up spectres which fill the funeral pits and which have lain there for two thousand years, face to face, in their silence that nothing comes to trouble, not even the noise that the worm of the tomb makes in his crawling, and who will be found there untouched after another two thousand years, with their cats, their crocodiles, their ibises, all the things that lived at the same time as they did, spasms of terror seize me, and I feel shudders run up my skin. What do they say to each other, since they still have lips, and since their souls, if the fantasy seized them to return, would find their bodies in the state in which they left them?

‘Egypt is truly a sinister kingdom and very little fitted for me who am fond of laughter and folly; everything here encloses a mummy; that is the heart and core of everything. After a thousand detours it is there you finish; the pyramids hide a sarcophagus. All that is nothingness and folly. Rip open the sky with gigantic triangles of stone, you will not add an inch to your corpse! How can one rejoice and live in such a land where one breathes as perfume only the bitter odour of naphtha, and the bitumen that boils in the embalmers’ kettles, where the floor of your room sounds hollow because the corridors of the hypogeum and the funeral pits stretch even under your dressing-room? To be the queen of the mummies; to have as gossips those statues in their stiff, constrained poses, that’s a lot of fun! And yet, if to lighten the gloom, I had some passion in my heart, an interest in life, if I were in love with somebody or something, if I were loved! But I am not.

‘That is why I am bored, Charmion; with love this sterile, surly Egypt would seem to me more charming than Greece with its ivory gods, its temples of white marble, its oleander woods, and its fountains of spring water. I would not think of the grotesque countenance of Anubis, nor of the terrors of the underground cities.’

Charmion smiled with an air of incredulity. ‘That shouldn’t cause you much grief; for each of your glances pierces men’s hearts like the golden arrows of Eros himself.’

‘Can a queen,’ went on Cleopatra, ‘know if it is the diadem or the brow beneath that is loved in her? The beams of her sidereal crown dazzle men’s eyes and hearts; were I to come down from the height of my throne, would I enjoy the celebrity and the popularity of Bacchide or Archenassa, of any chance courtesan from Athens or Miletus? A queen is something so far above men, something so lofty, so separated, so impossible! What presumption can flatter itself with hopes of success in such an enterprise? It is no longer a woman, it is an august and sacred figure that has no longer a sex, a being one adores on bended knees without loving, like the statue of a goddess. Who has ever been seriously in love with Hera of the snowy arms, with Pallas of the sea-green eyes? Who has ever tried to kiss the silver feet of Thetis, and the rosy fingers of Aurora? What lover of those divine beauties has ever taken wings to fly towards the golden palaces of heaven? Respect and terror freeze men’s souls in our presence, and to be loved by our equals we must needs descend, to the cities of the dead that I was talking of just now.’

Although she put forward no objection to the reasoning of her mistress, a vague smile flitting about the lips of the Greek slave showed that she had no great belief in this inviolability of the royal person.

‘Ah,’ continued Cleopatra, ‘I would like something to happen to me, a strange adventure, something unexpected. The song of the poets, the dance of the Syrian slaves, feasts crowned with roses and prolonged till daybreak, midnight races, Laconian dogs, tame lions, humpbacked dwarfs, members of the fellowship of the inimitable, combats in the circus, and ornaments, robes of byssus, matched strings of pearls, perfumes of Asia, the most exquisite elegances, the most senseless sumptuousness, nothing amuses me any more: everything is indifferent to me, everything is insupportable!’

‘It is obvious,’ murmured Charmion, ‘that the queen hasn’t had a lover or killed anybody for a month.’

Tired by such a long outburst, Cleopatra lifted again the cup placed beside her, moistened her lips in it, and, putting her head under her arm with a dove-like movement, settled herself as comfortably as possible to sleep. Charmion undid her sandals, and began softly to tickle the soles of her feet with the


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