lest a flash of thought should suddenly light up the deep sightless hollows under the grizzled brows, as you might fear to see brigands with torches and poniards in the mouth of a cavern. You felt that there was a lion in that cage of flesh, a lion spent with useless raging against iron bars. The fires of despair had burned themselves out into ashes, the lava had cooled; but the tracks of the flames, the wreckage, and a little smoke remained to bear witness to the violence of the eruption, the ravages of the fire. These images crowded up at the sight of the clarionet player, till the thoughts now grown cold in his face burned hot within my soul.

The fiddle and the flageolet took a deep interest in bottles and glasses; at the end of a country-dance, they hung their instruments from a button on their reddish-coloured coats, and stretched out their hands to a little table set in the window recess to hold their liquor supply. Each time they did so they held out a full glass to the Italian, who could not reach it for himself because he sat in front of the table, and each time the Italian thanked them with a friendly nod. All their movements were made with the precision which always amazes you so much at the Blind Asylum. You could almost think that they can see. I came nearer to listen; but when I stood beside them, they evidently guessed I was not a working man, and kept themselves to themselves.

‘What part of the world do you come from, you that are playing the clarionet?’

‘From Venice,’ he said, with a trace of Italian accent.

‘Have you always been blind, or did it come on afterwards—?’

‘Afterwards,’ he answered quickly. ‘A cursed gutta serena.’

‘Venice is a fine city; I have always had a fancy to go there.’

The old man’s face lighted up, the wrinkles began to work, he was violently excited.

‘If I went with you, you would not lose your time,’ he said.

‘Don’t talk about Venice to our Doge,’ put in the fiddle, ‘or you will start him off, and he has stowed away a couple of bottles as it is—has the prince!’

‘Come, strike up, Daddy Canard!’ added the flageolet, and the three began to play. But while they executed the four figures of a square dance, the Venetian was scenting my thoughts; he guessed the great interest I felt in him. The dreary, dispirited look died out of his face, some mysterious hope brightened his features and slid like a blue flame over his wrinkles. He smiled and wiped his brow, that fearless, terrible brow of his, and at length grew gay like a man mounted on his hobby.

‘How old are you?’ I asked.

‘Eighty-two.’

‘How long have you been blind?’

‘For nearly fifty years, he said, and there was that in his tone which told me that his regret was for something more than his lost sight, for great power of which he had been robbed.

‘Then why do they call you “the Doge”?’ I asked.

‘Oh, it is a joke. I am a Venetian noble, and I might have been a doge like any one else.’

‘What is your name?’