bestowed special attention upon him. In his presence her habitual pensiveness disappeared. It cannot be said that she coquetted with him, but a poet, observing her behaviour, would have said:

“Se amor non e, che dunque?”

Bourmin was indeed a very charming young man. He possessed that spirit which is eminently pleasing to women: a spirit of decorum and observation, without any pretensions, and yet not without a slight tendency towards careless satire. His behavior towards Maria Gavrilovna was simple and frank, but whatever she said or did, his soul and eyes followed her. He seemed to be of a quiet and modest disposition, though report said that he had once been a terrible rake; but this did not injure him in the opinion of Maria Gavrilovna, who—like all young ladies in general—excused with pleasure follies that gave indication of boldness and ardor of temperament.

But more than everything else—more than his tenderness, more than his agreeable conversation, more than his interesting pallor, more than his arm in a sling—the silence of the young Hussar excited her curiosity and imagination. She could not but confess that he pleased her very much. Probably he, too, with his perception and experience, had already observed that she made a distinction between him and the others. How was it then that she had not yet seen him at her feet or heard his declaration? What restrained him? Was it timidity, inseparable from true love, or pride or the coquetry of a crafty wooer? It was an enigma to her. After long reflection, she came to the conclusion that timidity alone was the cause of it, and she resolved to encourage him by greater attention and, if circumstances should render it necessary, even by an exhibition of tenderness. She prepared a most unexpected dénouement, and waited with impatience for the moment of the romantic explanation. A secret, of whatever nature it may be, always presses heavily upon the human heart. Her stratagem had the desired success; at least Bourmin fell into such a reverie, and his black eyes rested with such fire upon her, that the decisive moment seemed close at hand. The neighbors spoke about the marriage as if it were a matter already decided upon, and good Praskovia Petrovna rejoiced that her daughter had at last found a lover worthy of her.

On one occasion the old lady was sitting alone in the parlor, amusing herself with a pack of cards, when Bourmin entered the room and immediately inquired for Maria Gavrilovna.

“She is in the garden,” replied the old lady; “go out to her, and I will wait here for you.”

Bourmin went, and the old lady made the sign of the cross and thought: “Perhaps the business will be settled to-day!”

Bourmin found Maria Gavrilovna near the pond, under a willow-tree, with a book in her hands, and in a white dress: a veritable heroine of romance. After the first few questions and observations, Maria Gavrilovna purposely allowed the conversation to drop, thereby increasing their mutual embarrassment, from which there was no possible way of escape except only by a sudden and decisive declaration.

And this is what happened: Bourmin, feeling the difficulty of his position, declared that he had long sought for an opportunity to open his heart to her, and requested a moment’s attention. Maria Gavrilovna closed her book and cast down her eyes, as a sign of compliance with his request.

“I love you,” said Bourmin. “I love you passionately.…”

Maria Gavrilovna blushed and lowered her head still more. “I have acted imprudently in accustoming myself to the sweet pleasure of seeing and hearing you daily.…” (Maria Gavrilovna recalled to mind the first letter of St. Preux) “But it is now too late to resist my fate; the remembrance of you, your dear incomparable image, will henceforth be the torment and the consolation of my life, but there still remains a grave duty for me to perform—to reveal to you a terrible secret which will place between us an insurmountable barrier.”

“That barrier has always existed,” interrupted Maria Gavrilovna hastily. “I could never be your wife.”


  By PanEris using Melati.

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