Panteley, for whom death could not be far away, walked below and went on reckoning up his thoughts.

“All right.…Nice gentlefolk,…” he muttered. “Took his little lad to school—but how he is doing now I haven’t heard say—in Slavyanoserbsk. I say there is no establishment for teaching them to be very clever.…No, that’s true—a nice little lad, no harm in him.… He’ll grow up and be a help to his father.…You, Yegory, are little now, but you’ll grow big and will keep your father and mother.…So it is ordained of God, ‘Honour your father and your mother.’ …I had children myself, but they were burnt.…My wife was burnt and my children,…that’s true.…The hut caught fire on the night of Epiphany.…I was not at home, I was driving in Oryol. In Oryol.… Marya dashed out into the street, but remembering that the children were asleep in the hut, ran back and was burnt with her children.… Next day they found nothing but bones.”

About midnight Yegorushka and the waggoners were again sitting round a small camp fire. While the dry twigs and stems were burning up, Kiruha and Vassya went off somewhere to get water from a creek; they vanished into the darkness, but could be heard all the time talking and clinking their pails; so the creek was not far away. The light from the fire lay a great flickering patch on the earth; though the moon was bright, yet everything seemed impenetrably black beyond that red patch. The light was in the waggoners’ eyes, and they saw only part of the great road; almost unseen in the darkness the waggons with the bales and the horses looked like a mountain of undefined shape. Twenty paces from the camp fire at the edge of the road stood a wooden cross that had fallen aslant. Before the camp fire had been lighted, when he could still see things at a distance, Yegorushka had noticed that there was a similar old slanting cross on the other side of the great road.

Coming back with the water, Kiruha and Vassya filled the cauldron and fixed it over the fire. Styopka, with the notched spoon in his hand, took his place in the smoke by the cauldron, gazing dreamily into the water for the scum to rise. Panteley and Emelyan were sitting side by side in silence, brooding over something. Dymov was lying on his stomach, with his head propped on his fists, looking into the fire.… Styopka’s shadow was dancing over him, so that his handsome face was at one minute covered with darkness, at the next lighted up.…Kiruha and Vassya were wandering about at a little distance gathering dry grass and bark for the fire. Yegorushka, with his hands in his pockets, was standing by Panteley, watching how the fire devoured the grass.

All were resting, musing on something, and they glanced cursorily at the cross over which patches of red light were dancing. There is something melancholy, pensive, and extremely poetical about a solitary tomb; one feels its silence, and the silence gives one the sense of the presence of the soul of the unknown man who lies under the cross. Is that soul at peace on the steppe? Does it grieve in the moonlight? Near the tomb the steppe seems melancholy, dreary and mournful; the grass seems more sorrowful, and one fancies the grasshoppers chirrup less freely, and there is no passer-by who would not remember that lonely soul and keep looking back at the tomb, till it was left far behind and hidden in the mists.…

“Grandfather, what is that cross for?” asked Yegorushka.

Panteley looked at the cross and then at Dymov and asked:

“Nikola, isn’t this the place where the mowers killed the merchants?”

Dymov not very readily raised himself on his elbow, looked at the road and said:

“Yes, it is.…”

A silence followed. Kiruha broke up some dry stalks, crushed them up together and thrust them under the cauldron. The fire flared up brightly; Styopka was enveloped in black smoke, and the shadow cast by the cross danced along the road in the dusk beside the waggons.

“Yes, they were killed,” Dymov said reluctantly. “Two merchants, father and son, were travelling, selling holy images. They put up in the inn not far from here that is now kept by Ignat Fomin. The old man


  By PanEris using Melati.

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