him not to go away but to do his own work. He is not satisfied with his tools, with the weather, or with his own talent; nothing pleases him.

Matvey saws out a great piece of ice for a lectern.

“Why have you broken off the corner?” cries Seryozhka, and glares at him furiously. “Why have you broken off the corner? I ask you.”

“Forgive me, for Christ’s sake.”

“Do it over again!”

Matvey saws again…and there is no end to his sufferings. A lectern is to stand by the hole in the ice that is covered by the painted ring; on the lectern is to be carved the cross and the open gospel. But that is not all. Behind the lectern there is to be a high cross to be seen by all the crowd and to glitter in the sun as though sprinkled with diamonds and rubies. On the cross is to be a dove carved out of ice. The path from the church to the Jordan is to be strewn with branches of fir and juniper. All this is their task.

First of all Seryozhka sets to work on the lectern. He works with a file, a chisel, and an awl. He is perfectly successful in the cross on the lectern, the gospel, and the drapery that hangs down from the lectern. Then he begins on the dove. While he is trying to carve an expression of meekness and humility on the face of the dove, Matvey, lumbering about like a bear, is coating with ice the cross he has made of wood. He takes the cross and dips it in the hole. Waiting till the water has frozen on the cross he drips it in a second time, and so on till the cross is covered with a thick layer of ice.… It is a difficult job, calling for a great deal of strength and patience.

But now the delicate work is finished. Seryozhka races about the village like one possessed. He swears and vows he will go at once to the river and smash all his work. He is looking for suitable paints.

His pockets are full of ochre, dark blue, red lead, and verdigris; without paying a farthing he rushes headlong from one shop to another. The shop is next door to the tavern. Here he has a drink; with a wave of his hand he darts off without paying. At one hut he gets beetroot leaves, at another an onion skin, out of which he makes a yellow colour. He swears, shoves, threatens, and… not a soul murmurs! They all smile at him, they sympathise with him, call him Sergey Nikititch; they all feel that his art is not his personal affair but something that concerns them all, the whole people. One creates, the others help him. Seryozhka in himself is a nonentity, a sluggard, a drunkard, and a wastrel, but when he has his red lead or compasses in his hand he is at once something higher, a servant of God.

Epiphany morning comes. The precincts of the church and both banks of the river for a long distance are swarming with people. Everything that makes up the Jordan is scrupulously concealed under new mats. Seryozhka is meekly moving about near the mats, trying to control his emotion. He sees thousands of people. There are many here from other parishes; these people have come many a mile on foot through the frost and the snow merely to see his celebrated Jordan. Matvey, who had finished his coarse, rough work, is by now back in the church, there is no sight, no sound of him; he is already forgotten.… The weather is lovely.… There is not a cloud in the sky. The sunshine is dazzling.

The church bells ring out on the hill … Thousands of heads are bared, thousands of hands are moving, there are thousands of signs of the cross!

And Seryozhka does not know what to do with himself for impatience. But now they are ringing the bells for the Sacrament; then half an hour later a certain agitation is perceptible in the belfry and among the people. Banners are borne out of the church one after the other, while the bells peal in joyous haste. Seryozhka, trembling, pulls away the mat … and the people behold something extraordinary. The lectern, the wooden ring, the pegs, and the cross in the ice are iridescent with thousands of colors. The cross and the dove glitter so dazzlingly that it hurts the eyes to look at them. Merciful God, how fine it is! A