It was a broken bit of ivory, and on it the upper part of a face, sketchily done, with pansy-dark eyes and blush-rose skin—without a frame. I had the frame.

A heart-beat, a fluttering breath, a reeling sense of the world staggering away from me, and then my bewildered senses were at work again, and an agony like death was cutting me to the heart as we resumed our walking.

Should I tell him? Should I go on with my secret, my inheritance, my curse, and let no man know? If it ate out my heart, the sooner to end; my heart was broken now. Never, never now could fireside shine for me, could lover’s lips be mine, could little faces sun themselves in my smile.

We paused before the great window, with those vague white shapes before us, for my feet would not obey me, and the light behind us shone on the bit of ivory. If I told him, it would be easier for him to bear; he would see the impossibility, he would desire my love no longer. My fearful inheritance would yawn like a gulf between us with its impassable darkness.

“And the ruin on the hill-side is an eyesore,” I said. “But it is easy to remove it. I suppose it belongs to me. For—look here— it is I who must be the last of the Rayniers.” And I drew from my breast the broken thing, the halved miniature, that in my mock sentiment I had worn so long.

“You!” cried he. “You!” And his feet tottered, and he leaned against the casement for support—he who an hour or so ago had seemed so full of repressed strength that he could have pulled his house down about his ears. Well, had he not done so?

I moved to his side, and held the thing that he might see where the pieces matched, the line of the cheek flowing into the lovely curve of the chin, the flickering sweetness of the lovely mouth, the lambent glance of the lovely eye. “It is my mother, you see,” I said. “And it needs no words to say it.”

“It needs no words to say it,” he repeated hoarsely. “It is your image. Oh, my God! What have I done! what have I done! My darling, my darling, you must let me repair it by a lifetime of devotion.” And he had his arms about me, and was drawing me to his heaving breast, his throbbing heart.

“No! no! no!” I sobbed. “It is impossible. I am wrecked; I am ruined; I can be no man’s wife. You see yourself—I will never—” But his lips were silencing mine, and I lay there with those arms about me a moment; I lay there like one in heaven suspended over hell.

“What do I care,” he whispered, “for all the Rayniers in Christendom or out of it, but you? I have learned in this moment that you love me! I will never give you up.”

“You must,” I groaned.

“I tell you I never will,” he said, his voice husky and low and trembling, but his eye and his grasp firm. “I have assured you that environment, education, art, can supplement nature and heredity. They have done so with you. You are your father’s child. You received from your mother only the vital spark, only this beauty, this fatal beauty. If you inherited all that the Rayniers ever had, then I love, I love, I love all that the Rayniers ever were, for I love you. I have your love, Helena, and I will never let you go.” While speaking he had touched the bell at his hand, and now he sent the answering servant for Dr. Devens, who came at once, supposing some sight of the snow was in store.

“Bid them all out here, Doctor,” cried Colonel Vorse. “Ah, here they come! In this part of the country we need no licence for marriage. Here are a bride and groom awaiting your blessing. Perform your office, sir.” And before I could summon heart or voice, making no response, bewildered and faint, I was the wife of Colonel Vorse, and my husband’s arms were supporting me as the words of the prayer and benediction rolled over us.


  By PanEris using Melati.

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