athlete; his dark hair curled; his eyes and his teeth flashed whenever he bestowed his frequent smiles. The young men of the Clover Leaf Club pinned not their faith to the graces of person as much as they did to its prowess, its achievements in hand-to-hand conflicts, and its preservation from the legal duress that constantly menaced it. The member of the association who would bind a paper-box maiden to his conquering chariot scorned to employ Beau Brummel airs. They were not considered honourable methods of warfare. The swelling biceps, the coat straining at its buttons over the chest, the air of conscious conviction of the super-eminence of the male in the cosmogony of creation, even a calm display of bow legs as subduing and enchanting agents in the gentle tourneys of Cupid—these were the approved arms and ammunition of the Clover Leaf gallants. They viewed, then, the genuflexions and alluring poses of this visitor with their chins at a new angle.

“A friend of mine, Mr. Terry O’Sullivan,” was Maggie’s formula of introduction. She led him around the room, presenting him to each new-arriving Clover Leaf. Almost was she pretty now, with the unique luminosity in her eyes that comes to a girl with her first suitor and a kitten with its first mouse.

“Maggie Toole’s got a fellow at last,” was the word that went round among the paper-box girls. “Pipe Mag’s floor-walker”—thus the Give and Takes expressed their indifferent contempt.

Usually at the weekly hops Maggie kept a spot on the wall warm with her back. She felt and showed so much gratitude whenever a self-sacrificing partner invited her to dance that his pleasure was cheapened and diminished. She had even grown used to noticing Anna joggle the reluctant Jimmy with her elbow as a signal for him to invite her chum to walk over his feet through a two-step.

But to-night the pumpkin had turned to a coach and six. Terry O’Sullivan was a victorious Prince Charming, and Maggie Toole winged her first butterfly flight. And though our tropes of fairyland be mixed with those of entomology they shall not spill one drop of ambrosia from the rose-crowned melody of Maggie’s one perfect night.

The girls besieged her for introductions to her “fellow.” The Clover Leaf young men, after two years of blindness, suddenly perceived charms in Miss Toole. They flexed their compelling muscles before her and bespoke her for the dance.

Thus she scored; but to Terry O’Sullivan the honours of the evening fell thick and fast. He shook his curls; he smiled and went easily through the seven motions for acquiring grace in your own room before an open window ten minutes each day. He danced like a faun; he introduced manner and style and atmosphere; his words came trippingly upon his tongue, and—he waltzed twice in succession with the paper-box girl that Dempsey Donovan brought.

Dempsey was the leader of the association. He wore a dress suit, and could chin the bar twice with one hand. He was one of “Big Mike” O’Sullivan’s lieutenants, and was never troubled by trouble. No cop dared to arrest him. Whenever he broke a push-cart man’s head or shot a member of the Heinrick B. Sweeney Outing and Literary Association in the kneecap, an officer would drop around and say:

“The Cap’n’d like to see ye a few minutes round to the office whin ye have time, Dempsey, me boy.”

But there would be sundry gentlemen there with large gold fob chains and black cigars; and somebody would tell a funny story, and then Dempsey would go back and work half an hour with the sixpound dumb-bells. So, doing a tight-rope act on a wire stretched across Niagara was a safe terpsichorean performance compared with waltzing twice with Dempsey Donovan’s paper-box girl. At ten o’clock the jolly round face of “Big Mike” O’Sullivan shone at the door for five minutes, smiled at the girls and handed out real perfectos to the delighted boys.

Dempsey Donovan was at his elbow instantly, talking rapidly. “Big Mike” looked carefully at the dancers, smiled, shook his head and departed.