The Kid arose and, without violence, took Thacker by the throat with a hand of steel and shoved him slowly into a corner. Then he drew from under his left arm his pearl-handled. 45 and poked the cold muzzle of it against the consul’s mouth.

“I told you why I come here,” he said, with his old freezing smile. “If I leave here, you’ll be the reason. Never forget it, pardner. Now, what is my name?”

“Er—Don Francisco Urique,” gasped Thacker.

From outside came a sound of wheels, and the shouting of someone, and the sharp thwacks of a wooden whip-stock upon the backs of fat horses.

The Kid put up his gun, and walked toward the door. But he turned again and came back to the trembling Thacker, and held up his left hand with its back toward the consul.

“There’s one more reason,” he said slowly, “why things have got to stand as they are. The fellow I killed in Laredo had one of them same pictures on his left hand.”

Outside, the ancient landau of Don Santos Urique rattled to the door. The coachman ceased his bellowing. Señora Urique, in a voluminous gay gown of white lace and flying ribbons, leaned forward with a happy look in her great soft eyes.

“Are you within, dear son?” she called, in the rippling Castilian.

Madre mia, yo vengo [mother, I come],” answered the Young Don Francisco Urique.


  By PanEris using Melati.

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