my release he had prated loudly of an income that his wife received, and showed a handful of silver money.

When I got my key at the desk the clerk said to me courteously: “If that man Caswell has annoyed you, and if you would like to make a complaint, we will have him ejected. He is a nuisance, a loafer, and without any known means of support, although he seems to have some money most the time. But we don’t seem to be able to hit upon any means of throwing him out legally.”

“Why, no,” said I, after some reflection; ‘I don’t see my way clear to making a complaint. But I would like to place myself on record as asserting that I do not care for his company. Your town,” I continued, “seems to be a quiet one. What manner of entertainment, adventure, or excitement have you to offer to the stranger within your gates?”

“Well, sir,” said the clerk, “there will be a show here next Thursday. It is—I’ll look it up and have the announcement sent up to your room with the ice water. Good night.”

After I went up to my room I looked out of the window. It was only about ten o’clock, but I looked upon a silent town. The drizzle continued, spangled with dim lights, as far apart as currants in a cake sold at the Ladies’ Exchange.

“A quiet place,” I said to myself, as my first shoe struck the ceiling of the occupant of the room beneath mine. “Nothing of the life here that gives colour and variety to the cities in the East and West. Just a good, ordinary, humdrum business town.”

I must tell you how I came to be in Nashville, and assure you the digression brings as much tedium to me as it does to you. I was travelling elsewhere on my own business, but I had a commission from a Northern literary magazine to stop over there and establish a personal connection between the publication and one of its contributors, Azalea Adair.

Adair (there was no clue to the personality except the handwriting) had sent in some essays (lost art!) and poems that had made the editors swear approvingly over their one o’clock luncheon. So they had commissioned me to round up said Adair and corner by contract his or her output at two cents a word before some other publisher offered her ten or twenty.

At nine o’clock the next morning, after my chicken livers en brochette (try them if you can find that hotel), I strayed out into the drizzle, which was still on for an unlimited run. At the first corner I came upon Uncle Cæsar. He was a stalwart negros older than the pyramids, with grey wool and a face that reminded me of Brutus, and a second afterwards of the late King Cetewayo. He wore the most remarkable coat that I ever had seen or expect to see. It reached to his ankles and had once been a Confederate grey in colours. But rain and sun and age had so variegated it that Joseph’s coat, beside it, would have faded to a pale monochrome. I must linger with that coat for it has to do with the story—the story that is so long in coming, because you can hardly expect anything to happen in Nashville.

Once it must have been the military coat of an officer. The cape of it had vanished, but all adown its front it had been frogged and tasselled magnificently. But now the frogs and tassels were gone. In their stead had been patiently stitched (I surmised by some surviving “black mammy”) new frogs made of cunningly twisted common hempen twine. This twine was frayed and dishevelled. It must have been added to the coat as a substitute for vanished splendours, with tasteless but painstaking devotion, for it followed faithfully the curves of the long-missing frogs. And, to complete the comedy and pathos of the garment, all its buttons were gone save one. The second button from the top alone remained. The coat was fastened by other twine strings tied through the buttonholes and other holes rudely pierced in the opposite side. There was never such a weird garment so fantastically bedecked and of so many