From The Cabby's Seat

The cabby has his point of view. It is more single-minded, perhaps, than that of a follower of any other calling. From the high, swaying seat of his hansom he looks upon his fellowmen as nomadic particles, of no account except when possessed of migratory desires. He is Jehu, and you are goods in transit. Be you President or vagabond, to cabby you are only a fare. He takes you up, cracks his whip, joggles your vertebræe and sets you down.

When time for payment arrives, if you exhibit a familiarity with legal rates, you come to know what contempt is; if you find that you have left your pocket-book behind you, you are made to realize the mildness of Dante’s imagination.

It is not an extravagant theory that the cabby’s singleness of purpose and concentrated view of life are the results of the hansom’s peculiar construction. The cock-of-the-roost sits aloft like Jupiter on an unsharable seat, holding your fate between two thongs of inconstant leather. Helpless, ridiculous, confined, bobbing like a toy mandarin, you sit like a rat in a trap—you, before whom butlers cringe on solid land—and must squeak upward through a slit in your peripatetic sarcophagus to make your feeble wishes known.

Then, in a cab, you are not even an occupant; you are contents. You are a cargo at sea, and the “cherub that sits up aloft” has Davy Jones’s street and number by heart.

One night there were sounds of revelry in the big brick tenement-house next door but one to McGary’s Family Café. The sounds seemed to emanate from the apartments of the Walsh family. The sidewalk was obstructed by an assortment of interested neighbours, who opened a lane from time to time for a hurrying messenger bearing from McGary’s goods pertinent to festivity and diversion. The sidewalk contingent was engaged in comment and discussion from which it made no effort to eliminate the news that Norah Walsh was being married.

In the fullness of time there was an eruption of the merry-makers to the sidewalk. The uninvited guests enveloped and permeated them, and upon the night air rose joyous cries, congratulations, laughter and unclassified noises born of McGary’s oblations to the hymeneal scene.

Close to the kerb stood Jerry O’Donovan’s cab. Night-hawk was Jerry called; but no more lustrous or cleaner hansom than his ever closed its doors upon point lace and November violets. And Jerry’s horse! I am within bounds when I tell you that he was stuffed with oats until one of those old ladies who leave their dishes unwashed at home and go about having expressmen arrested, would have smiled—yes, smiled—to have seen him.

Among the shifting, sonorous, pulsing crowd glimpses could be had of Jerry’s high hat, battered by the winds and rains of many years; of his nose like a carrot, battered by the frolicsome, athletic progeny of millionaires and by contumacious fares; of his brass-buttoned green coat, admired in the vicinity of McGary’s. It was plain that Jerry had usurped the functions of his cab, and was carrying a “load.” Indeed, the figure may be extended and he be likened to a bread-wagon if we admit the testimony of a youthful spectator, who was heard to remark “Jerry has got a bun.”

From somewhere among the throng in the street or else out of the thin stream of pedestrians a young woman tripped and stood by the cab. The professional hawk’s eye of Jerry caught the movement. He made a lurch for the cab, overturning three or four onlookers and himself—no! he caught the cap of a water-plug and kept his feet. Like a sailor shinning up the ratlins during a squall, Jerry mounted to his professional seat. Once he was there McGary’s liquids were baffled. He see-sawed on the mizzen-mast of his craft as safe as a steeplejack rigged to the flagpole of a sky-scraper.

“Step in, lady,” said Jerry, gathering his lines.

The young woman stepped into the cab; the doors shut with a bang; Jerry’s whip cracked in the air; the crowd in the gutter scattered, and the fine hansom dashed away ’cross-town.