you for once. I just started a Mexican to bring you. Santa wants you. Go in that room and see her. And then come out here and see me.’

“Santa was lyin’ in bed pretty sick. But she gives out a kind of a smile, and her hand and mine lock horns, and I sets down by the bed—mud and spurs and chaps and all. ‘I’ve heard you ridin’ across the grass for hours, Webb,’ she says. ‘I was sure you’d come. You saw the sign?’ she whispers. ‘The minute I hit camp,’ says I. ‘’Twas marked on the bag of potatoes and onions.’ ‘They’re always together,’ says she, soft like—‘always together in life.’ ‘They go well together,’ I says, ‘in a stew.’ ‘I mean hearts and crosses,’ says Santa. ‘Our sign—to love and to suffer—that’s what they mean.’

“And there was old Doc Musgrove amusin’ himself with whisky and a palm-leaf fan. And by and by Santa goes to sleep; and Doc feels her forehead; and he says to me: ‘You’re not such a bad febrifuge. But you’d better slide out now; for the diagnosis don’t call for you in regular doses. The little lady’ll be all right when she wakes up.’

“I seen old McAllister outside. ‘She’s asleep,’ says I. ‘And now you can start in with your colander work. Take your time; for I left my gun on my saddle-horn.’

“Old Mac laughs, and he says to me: ‘Pumpin’ lead into the best ranch-boss in West Texas don’t seem to me good business policy. I don’t know where I could get as good a one. It’s the son-in-law idea, Webb, that makes me admire for to use you as a target. You ain’t my idea for a member of the family. But I can use you on the Nopalito if you’ll keep outside of a radius with the ranch-house in the middle of it. You go upstairs and lay down on a cot, and when you get some sleep we’ll talk it over.”’

Baldy Woods pulled down his hat, and uncurled his leg from his saddle-horn. Webb shortened his rein, and his pony danced, anxious to be off. The two men shook hands with Western ceremony.

“Adios, Baldy,” said Webb, “I’m glad I seen you and had this talk.”

With a pounding rush that sounded like the rise of a covey of quail, the riders sped away toward different points of the compass. A hundred yards on his route Baldy reined in on the top of a bare knoll, and emitted a yell. He swayed on his horse; had he been on foot, the earth would have risen and conquered him; but in the saddle he was a master of equilibrium, and laughed at whisky, and despised the centre of gravity.

Webb turned in his saddle at the signal.

“If I was you,” came Baldy’s strident and perverting tones, “I’d be king!”

At eight o’clock on the following morning Bud Turner rolled from his saddle in front of the Nopalito ranch- house, and stumbled with whizzing rowels towards the gallery. Bud was in charge of the bunch of beef- cattle that was to strike the trail that morning for San Antonio. Mrs. Yeager was on the gallery watering a cluster of hyacinths growing in a red earthenware jar.

“King” McAllister had bequeathed to his daughter many of his strong characteristics—his resolution, his gay courage, his contumacious self-reliance, his pride as a reigning monarch of hoofs and horns. Allegro and fortissimo had been McAllister’s tempo and tone. In Santa they survived, transposed to the feminine key. Substantially, she preserved the image of the mother who had been summoned to wander in other and less finite green pastures long before the waxing herds of kine had conferred royalty upon the house. She had her mother’s slim, strong figure and grave, soft prettiness that relieved in her the severity of the imperious McAllister eye and the McAllister air of royal independence.

Webb stood on one end of the gallery giving orders to two or three sub-bosses of various camps and outfits who had ridden in for instructions.