Ulysses and The Dogman

Do you know the time of the dogmen? When the forefinger of twilight begins to smudge the clear-drawn lines of the Big City, there is inaugurated an hour devoted to one of the most melancholy sights of urban life.

Out from the towering flat crags and apartment peaks of the cliff-dwellers of New York steals an army of beings that were once men. Even yet they go upright upon two limbs and retain human form and speech; but you will observe that they are behind animals in progress. Each of these beings follows a dog, to which he is fastened by an artificial ligament.

These men are all victims to Circe. Not willingly do they become flunkeys to Fido, bell-boys to bull terriers, and toddlers after Towzer. Modern Circe, instead of turning them into animals, has kindly left the difference of a six-foot leash between them. Every one of these dogmen has been either cajoled, bribed, or commanded by his own particular Circe to take the dear household pet out for an airing.

By their faces and manner you can tell that the dogmen are bound in a hopeless enchantment. Never will there come even a dog-catcher Ulysses to remove the spell.

The faces of some are stonily set. They are past the commiseration, the curiosity, or the jeers of their fellow-beings. Years of matrimony, of continuous compulsory canine constitutionals, have made them callous. They unwind their beasts from lamp-posts, or the ensnared legs of profane pedestrians, with the stolidity of mandarins manipulating the strings of their kites.

Others, more recently reduced to the ranks of Rover’s retinue, take their medicine sulkily and fiercely. They play the dog on the end of their line with the pleasure felt by the girl out fishing when she catches a sea-robin on her hook. They glare at you threateningly if you look at them, as if it would be their delight to let slip the dogs of war. These are half-mutinous dogmen, not quite Circe-ized, and you will do well not to kick their charges, should they sniff around your ankles.

Others of the tribe do not seem to feel so keenly. They are mostly unfresh youths, with gold caps and drooping cigarettes, who do not harmonize with their dogs. The animals they attend wear satin bows in their collars; and the young men steer them so assiduously that you are tempted to the theory that some personal advantage, contingent upon satisfactory service, waits upon the execution of their duties.

The dogs thus personally conducted are of many varieties: but they are one in fatness, in pampered, diseased vileness of temper, in insolent, snarling capriciousness of behaviour. They tug at the leash fractiously, they make leisurely nasal inventory of every doorstep, railing, and post. They sit down to rest when they choose; they wheeze like the winner of a Third Avenue beefsteak-eating contest; they blunder clumsily into open cellars and coal holes; they lead the dogmen a merry dance.

These unfortunate dry nurses of dogdom, the cur cuddlers, mongrel managers, Spitz stalkers, poodle pullers, Skye scrapers, dachshund dandlers, terrier trailers and Pomeranian pushers of the cliff-dwelling Circes follow their charges meekly. The doggies neither fear nor respect them. Masters of the house these men whom they hold in leash may be, but they are not masters of them. From cosy corner to fire- escape, from divan to dumb-waiter, doggy’s snarl easily drives this two-legged being who is commissioned to walk at the other end of his string during his outing.

One twilight the dogmen came forth as usual at their Circes’ pleading, guerdon, or crack of the whip. One among them was a strong man, apparently of too solid virtues for this airy vocation. His expression was melancholic, his manner depressed. He was leashed to a vile, white dog, loathsomely fat, fiendishly ill-natured, gloatingly intractable toward his despised conductor.

At a corner nearest to his apartment-house the dogman turned down a side-street, hoping for fewer witnesses to his ignominy. The surfeited beast waddled before him, panting with spleen and the labour of motion.


  By PanEris using Melati.

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