“I come mighty nigh gittin’ dah too late, foolin’ ’long wid dese pies. Sellin’ him ’ca’se he don’ wuk! Umph! If all de men in dis town dat don’ wuk wuz to be tuk up en sole, d’ wouldn’ be ’nough money in de town to buy ’em. Don’ I see ’em settin’ roun’ dese taverns f’om mohnin’ till night?”

She snorted out her indignation and disgust, and sitting down on the sidewalk, under a Lombardy poplar, uncovered her wares and kept the flies away with a locust bough, not discovering in her alternating good and ill humor, that half of them had been filched by her old tormentors.

This was the memorable scene enacted in Lexington on that memorable day of the year 1833—a day that passed so briskly. For whoever met and spoke together asked the one question: Will the cholera come to Lexington? And the answer always gave a nervous haste to business—a keener thrill to pleasure. It was of the cholera that the negro woman heard two sweet passing ladies speak as she spread her wares on the sidewalk. They were on their way to a little picture-gallery just opened opposite M. Giron’s ball-room, and in one breath she heard them discussing their toilets for the evening and in the next several portraits by Jouett.

So the day passed, the night came on, and M. Xaupi gave his brilliant ball. Poor old Xaupi—poor little Frenchman! whirled as a gamin of Paris through the mazes of the Revolution, and lately come all the way to Lexington to teach the people how to dance. Hop about blithely on thy dry legs, basking this night in the waxen radiance of manners and melodies and graces! Where will be thy tunes and airs to-morrow! Ay, smile and prompt away! On and on! Swing corners, ladies and gentlemen! Form the basket! Hands all round!

While the bows were still darting across the strings, out of the low, red east there shot a long, tremulous bow of light up towards the zenith. And then, could human sight have beheld the invisible, it might have seen hovering over the town, over the ballroom, over M. Xaupi, the awful presence of the plague.

But knowing nothing of this, the heated revelers went merrily home in the chill air of the red and saffron dawn. And knowing nothing of it also, a man awakened on the door-step of a house opposite the ball- room, where he had long since fallen asleep. His limbs were cramped and a shiver ran through his frame. Staggering to his feet, he made his way down to the house of Free Charlotte, mounted to his room by means of a stairway opening on the street, threw off his outer garments, kicked off his shoes, and taking a bottle from a closet pressed it several times to his lips with long outward breaths of satisfaction. Then, casting his great white bulk upon the bed, in a minute more he had sunk into a heavy sleep—the usual drunken sleep of old King Solomon.

He, too, had attended M. Xaupi’s ball, in his own way and in his proper character, being drawn to the place for the pleasure of seeing the fine ladies arrive and float in, like large white moths of the summer night, of looking in through the open windows as the many-colored waxen lights and the snowy arms and shoulders, of having blown out to him the perfume and the music; not worthy to go in, being the lowest of the low, but attending from a door-step of the street opposite—with a certain rich passion in his nature for splendor and revelry and sensuous beauty.

About 10 o’clock the sunlight entered through the shutter and awoke him. He threw one arm up over his eyes to intercept the burning rays. As he lay outstretched and stripped of grotesque rags, it could be better seen in what a mold nature had cast his figure. His breast, bare and tanned, was barred by full, arching ribs and knotted by crossing muscles; and his shirt-sleeve, falling away to the shoulder from his bent arm, revealed its crowded muscles in the high relief of heroic bronze. For although he had been sold as a vagrant, old King Solomon had in earlier years followed the trade of a digger of cellars, and the strenuous use of mattock and spade had developed every sinew to the utmost. His whole person, now half naked and in repose, was full of the suggestions of unspent power. Only his face, swollen and red, only his eyes, bloodshot and dull, bore the impress of wasted vitality. There, all too plainly stamped, were the passions long since raging and still on fire.


  By PanEris using Melati.

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