a mocking-bird in a cage by the cottage door. It pervaded and possessed all the spiritual intervals of the dream, like a musical benediction. The joyous bird was always in song; its infinitely various notes seemed to flow from its throat, effortless, in bubbles and rills at each heart- beat, like the waters of a pulsing spring. That fresh, clear melody seemed, indeed, the spirit of the scene, the meaning and interpretation to sense of the mysteries of life and love.

But there came a time when the days of the dream grew dark with sorrow in a rain of tears. The good mother was dead, the meadowside home by the great river was broken up, and the brothers were parted between two of their kinsmen. William (the dreamer) went to live in a populous city in the Realm of Conjecture, and John, crossing the river into the Enchanted Lands, was taken to a distant region whose people in their lives and ways were said to be strange and wicked. To him, in the distribution of the dead mother’s estate, had fallen all that they deemed of value—the mocking-bird. They could be divided, but it could not, so it was carried away into the strange country, and the world of William knew it no more forever. Yet still through the aftertime of his loneliness its song filled all the dream, and seemed always sounding in his ear and in his heart.

The kinsmen who had adopted the boys were enemies, holding no communication. For a time letters full of boyish bravado and boastful narratives of the new and larger experience—grotesque descriptions of their widening lives and the new worlds they had conquered—passed between them; but these gradually became less frequent, and with William’s removal to another and greater city ceased altogether. But ever through it all ran the song of the mocking-bird, and when the dreamer opened his eyes and stared through the vistas of the pine forest the cessation of its music first apprised him that he was awake.

The sun was low and red in the west; the level rays projected from the trunk of each giant pine a wall of shadow traversing the golden haze to eastward until light and shade were blended in undistinguishable blue.

Private Grayrock rose to his feet, looked cautiously about him, shouldered his rifle and set off toward camp. He had gone perhaps a half-mile, and was passing a thicket of laurel, when a bird rose from the midst of it and perching on the branch of a tree above, poured from its joyous breast so inexhaustible floods of song as but one of all God’s creatures can utter in His praise. There was little in that—it was only to open the bill and breathe; yet the man stopped as it struck—stopped and let fall his rifle, looked upward at the bird, covered his eyes with his hands and wept like a child! For the moment he was, indeed, a child, in spirit and in memory, dwelling again by the great river, over-against the Enchanted Land! Then with an effort of the will he pulled himself together, picked up his weapon and audibly damning himself for an idiot strode on. Passing an opening that reached into the heart of the little thicket he looked in, and there, supine upon the earth, its arms all abroad, its gray uniform stained with a single spot of blood upon the breast, its white face turned sharply upward and backward, lay the image of himself!—the body of John Grayrock, dead of a gunshot wound, and still warm! He had found his man.

As the unfortunate soldier knelt beside that masterwork of civil war the shrilling bird upon the bough overhead stilled her song and, flushed with sunset’s crimson glory, glided silently away through the solemn spaces of the wood. At roll-call that evening in the Federal camp the name William Grayrock brought no response, nor ever again thereafter.