The young man, for good-bye, had taken his hand, which closed with a certain force. They looked at each other hard a moment. ‘You will live,’ said Doctor Hugh.

‘Don’t be superficial. It’s too serious!’

‘You shall live!’ Dencombe’s visitor declared, turning pale.

‘Ah, that’s better!’ And as he retired the invalid, with a troubled laugh, sank gratefully back.

All that day and all the following night he wondered if it mightn’t be arranged. His doctor came again, his servant was attentive, but it was to his confident young friend that he found himself mentally appealing. His collapse on the cliff was plausibly explained, and his liberation, on a better basis, promised for the morrow; meanwhile, however, the intensity of his meditations kept him tranquil and made him indifferent. The idea that occupied him was none the less absorbing because it was a morbid fancy. Here was a clever son of the age, ingenious and ardent, who happened to have set him up for connoisseurs to worship. This servant of his altar had all the new learning in science and all the old reverence in faith; wouldn’t he therefore put his knowledge at the disposal of his sympathy, his craft at the disposal of his love? Couldn’t he be trusted to invent a remedy for a poor artist to whose art he had paid a tribute? If he couldn’t, the alternative was hard: Dencombe would have to surrender to silence, unvindicated and undivined. The rest of the day and all the next he toyed in secret with this sweet futility. Who would work the miracle for him but the young man who could combine such lucidity with such passion? He thought of the fairy- tales of science and charmed himself into forgetting that he looked for a magic that was not of this world. Doctor Hugh was an apparition, and that placed him above the law. He came and went while his patient, who sat up, followed him with supplicating eyes. The interest of knowing the great author had made the young man begin ‘The Middle Years’ afresh, and would help him to find a deeper meaning in its pages. Dencombe had told him what he ‘tried for’; with all his intelligence, on a first perusal, Doctor Hugh had failed to guess it. The baffled celebrity wondered then who in the world would guess it: he was amused once more at the fine, full way with which an intention could be missed. Yet he wouldn’t rail at the general mind to-day—consoling as that ever had been: the revelation of his own slowness had seemed to make all stupidity sacred.

Doctor Hugh, after a little, was visibly worried, confessing, on inquiry, to a source of embarrassment at home. ‘Stick to the Countess—don’t mind me,’ Dencombe said, repeatedly; for his companion was frank enough about the large lady’s attitude. She was so jealous that she had fallen ill—she resented such a breach of allegiance. She paid so much for his fidelity that she must have it all: she refused him the right to other sympathies, charged him with scheming to make her die alone, for it was needless to point out how little Miss Vernham was a resource in trouble. When Doctor Hugh mentioned that the Countess would already have left Bournemouth if he hadn’t kept her in bed, poor Dencombe held his arm tighter and said with decision: ‘Take her straight away.’ They had gone out together, walking back to the sheltered nook in which, the other day, they had met. The young man, who had given his companion a personal support, declared with emphasis that his conscience was clear—he could ride two horses at once. Didn’t he dream, for his future, of a time when he should have to ride five hundred? Longing equally for virtue, Dencombe replied that in that golden age no patient would pretend to have contracted with him for his whole attention. On the part of the Countess was not such an avidity lawful? Doctor Hugh denied it, said there was no contract but only a free understanding, and that a sordid servitude was impossible to a generous spirit; he liked moreover to talk about art, and that was the subject on which, this time, as they sat together on the sunny bench, he tried most to engage the author of ‘The Middle Years’. Dencombe, soaring again a little on the weak wings of convalescence and still haunted by that happy notion of an organized rescue, found another strain of eloquence to plead the cause of a certain splendid ‘last manner’, the very citadel, as it would prove, of his reputation, the stronghold into which his real treasure would be gathered. While his listener gave up the morning and the great still sea appeared to wait, he had a wonderful explanatory hour. Even for himself he was inspired as he told of what his treasure would consist—the precious metals he would dig from the mine, the jewels rare, strings of pearls, he would hang between the columns of his temple. He was wonderful for himself,


  By PanEris using Melati.

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