whose chimney issues such a continual smoke—betokening that if the inmates are not stirring, at least fires are, and in case of an alarm, candles may readily be lighted, to say nothing of muskets.

But stately as is the chimney—yea, grand high altar as it is, right worthy for the celebration of high mass before the Pope of Rome and all his cardinals—yet what is there perfect in this world? Caius Julius Caesar, had he not been so inordinately great, they say that Brutus, Cassius, Antony, and the rest, had been greater. My chimney, were it not so mighty in its magnitude, my chambers had been larger. How often has my wife ruefully told me that my chimney, like the English aristocracy, casts a contracting shade all round it? She avers that endless domestic inconveniences arise—more particularly from the chimney’s stubborn central locality. The grand objection with her is that it stands midway in the place where a fine entrance-hall ought to be. In truth, there is no hall whatever to the house—nothing but a sort of square landing-place, as you enter from the wide front door. A roomy enough landing-place, I admit, but not attaining to the dignity of a hall. Now, as the front door is precisely in the middle of the front of the house, inwards it faces the chimney. In fact, the opposite wall of the landing-place is formed solely by the chimney; and hence—owing to the gradual tapering of the chimney—is a little less than twelve feet in width. Climbing the chimney in this part is the principal staircase—which, by three abrupt turns, and three minor landing-places, mounts to the second floor, where, over the front door, runs a sort of narrow gallery, something less than twelve feet long, leading to chambers on either hand. This gallery, of course, is railed; and so, looking down upon the stairs, and all those landing-places together, with the main one at bottom, resembles not a little a balcony for musicians, in some jolly old abode, in times Elizabethan. Shall I tell a weakness? I cherish the cobwebs there, and many a time arrest Biddy in the act of brushing them with her broom, and have many a quarrel with my wife and daughters about it.

Now the ceiling, so to speak, of the place where you enter the house, that ceiling is, in fact, the ceiling of the second floor, not the first. The two floors are made one here; so that ascending this turning stairs, you seem going up into a kind of soaring tower, or lighthouse. At the second landing, midway up the chimney, is a mysterious door, entering to a mysterious closet; and here I keep mysterious cordials, of a choice, mysterious flavour, made so by the constant nurturing and subtle ripening of the chimney’s gentle heat, distilled through that warm mass of masonry. Better for wines is it than voyages to the Indias; my chimney itself a tropic. A chair by my chimney on a November day is as good for an invalid as a long season spent in Cuba. Often I think how grapes might ripen against my chimney. How my wife’s geraniums bud there! Bud in December. Her eggs, too—can’t keep them near the chimney, on account of hatching. Ah, a warm heart has my chimney.

How often my wife was at me about that projected grand entrance-hall of hers, which was to be knocked clean through the chimney, from one end of the house to the other, and astonish all guests by its generous amplitude. ‘But, wife,’ said I, ‘the chimney—consider the chimney: if you demolish the foundation, what is to support the superstructure?’ ‘Oh, that will rest on the second floor.’ The truth is, women know next to nothing about the realities of architecture. However, my wife still talked of running her entries and partitions. She spent many long nights elaborating her plans; in imagination building her boasted hall through the chimney, as though its high mightiness were a mere spear of sorrel-top. At last, I gently reminded her that, little as she might fancy it, the chimney was a fact—a sober, substantial fact, which, in all her plannings, it would be well to take into full consideration. But this was not of much avail.

And here, respectfully craving her permission, I must say a few words about this enterprising wife of mine. Though in years nearly old as myself, in spirit she is young as my little sorrel mare, Trigger, that threw me last fall. What is extraordinary, though she comes of a rheumatic family, she is straight as a pine, never has any aches; while for me, with the sciatica, I am sometimes as crippled up as any old apple tree. But she has not so much as a toothache. As for her hearing—let me enter the house in my dusty boots, and she away up in the attic. And for her sight—Biddy, the housemaid, tells other people’s housemaids, that her mistress will spy a spot on the dresser straight through the pewter platter put up on purpose to hide it. Her faculties are alert as her limbs and her senses. No danger of my spouse dying of torpor. The longest night in the year I’ve known her lie awake, planning her campaign for the morrow. She is a natural projector. The maxim, Whatever is, is right, is not hers. Her maxim is, Whatever