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the play upon words (use Hughes) being of course obvious, and the phrase "under thee their poesy disperse," meaning "by your assistance as an actor bring their plays before the people." `It was a wonderful evening, and we sat up almost till dawn reading and re-reading the Sonnets. After some time, however, I began to see that before the theory could be placed before the world in a really perfected form, it was necessary to get some independent evidence about the existence of this young actor, Willie Hughes. If this could be once established, there could be no possible doubt about his identity with Mr. W. H.; but otherwise the theory would fall to the ground. I put this forward very strongly to Cyril, who was a good deal annoyed at what he called my Philistine tone of mind, and indeed was rather bitter upon the subject. However, I made him promise that in his own interest he would riot publish his discovery till he had put the whole matter beyond the reach of doubt; and for weeks and weeks we searched the registers of City churches, the Alleyn MSS. at Dulwich, the Record Office, the papers of the Lord Chamberlain - everything, in fact, that we thought might contain some allusion to Willie Hughes. We discovered nothing, of course, and every day the existence of Willie Hughes seemed to me to become more problematical. Cyril was in a dreadful state, and used to go over the whole question day after day, entreating me to believe; but I saw the one flaw in the theory, and I refused to be convinced till the actual existence of Willie Hughes, a boy-actor of Elizabethan days, had been placed beyond the reach of doubt or cavil. `One day Cyril left town to stay with his grandfather, I thought at the time, but I afterwards heard from Lord Crediton that this was not the case; and about a fortnight afterwards I received a telegram from him, handed in at Warwick, asking me to be sure to come and dine with him that evening at eight o'clock. When I arrived, he said to me, "The only apostle who did not deserve proof was S. Thomas, and S. Thomas was the only apostle who got it." I asked him what he meant. He answered that he had not merely been able to establish the existence in the sixteenth century of a boy-actor of the name of Willie Hughes, but to prove by the most conclusive evidence that he was the Mr. W. H. of the Sonnets. He would not tell me anything more at the time; but after dinner he solemnly produced the picture I showed you, and told me that he had discovered it by the merest chance nailed to the side of an old chest that he had bought at a farmhouse in Warwickshire. The chest itself, which was a very fine example of Elizabethan work, he had, of course, brought with him, and in the centre of the front panel the initials W. H. were undoubtedly carved. It was this monogram that had attracted his attention, and he told me that it was not till he had had the chest in his possession for several days that he had thought of making any careful examination of the inside. One morning, however, he saw that one of the sides of the chest was much thicker than the other, and looking more closely, he discovered that a framed panel picture was clamped against it. On taking it out, he found it was the picture that is now lying on the sofa. It was very dirty, and covered with mould; but he managed to clean it, and, to his great joy, saw that he had fallen by mere chance on the one thing for which he had been looking. Here was an authentic portrait of Mr. W. H., with his hand resting on the dedicatory page of the Sonnets, and on the frame itself could be faintly seen the name of the young man written in black uncial letters on a faded gold ground, "Master Will. Hews." `Well, what was I to say? It never occurred to me for a moment that Cyril Graham was playing a trick on me, or that he was trying to prove his theory by means of a forgery.' `But is it a forgery?' I asked. `Of course it is,' said Erskine. `It is a very good forgery; but it is a forgery none the less. I thought at the time that Cyril was rather calm about the whole matter; but I remember he more than once told me that he himself required no proof of the kind, and that he thought the theory complete without it. I laughed at him, and told him that without it the theory would fall to the ground, and I warmly congratulated him on the marvellous discovery. We then arranged that the picture should be etched or facsimiled, and placed as the frontispiece to Cyril's edition of the Sonnets; and for three months we did nothing but go over each poem line by line, till we had settled every difficulty of text or meaning. One unlucky day I was in a print-shop in Holborn, when I saw upon the counter some extremely beautiful drawings in silver-point. I was so attracted by them that I bought them; and the proprietor of the place, a man called Rawlings, told |
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