Introduction

TO HIS MANY WAYS ENDEARED FRIEND, MASTER ROBERT KEYSAR

Sir,—This unfortunate child, who, in eight days (as lately I have learned), was begot and born, soon after was by his parents (perhaps because he was so unlike his brethren) exposed to the wide world, who, for want of judgment, or not understanding the privy mark of irony about it (which shewed it was no offspring of any vulgar brain), utterly rejected it; so that, for want of acceptance, it was even ready to give up the ghost, and was in danger to have been smothered in perpetual oblivion, if you (out of your direct antipathy to ingratitude) had not been moved both to relieve and cherish it: wherein I must needs commend both your judgment, understanding, and singular love to good wits. You afterwards sent it to me, yet being an infant and somewhat ragged: I have fostered it privately in my bosom these two years; and now, to shew my love, return it to you, clad in good lasting clothes, which scarce memory will wear out, and able to speak for itself; and withal, as it telleth me, desirous to try his fortune in the world, where, if yet it be welcome, father, foster-father, nurse, and child all have their desired end. If it be slighted or traduced, it hopes his father will beget him a younger brother, who shall revenge his quarrel, and challenge the world either of fond and merely literal interpretation or illiterate misprision. Perhaps it will be thought to be of the race of Don Quixote; we both may confidently swear it his elder above a year; and therefore may (by virtue of his birthright) challenge the wall of him. I doubt not but they will meet in their adventures, and I hope the breaking of one staff will make them friends; and perhaps they will combine themselves, and travel through the world to seek their adventures. So I commit him to his good fortune, and myself to your love. Your assured friend,

W. B[URRE].

TO THE READERS OF THIS COMEDY

Gentlemen,—The world is so nice in these our times, that for apparel there is no fashion; for music (which is a rare art, though now slighted) no instrument; for diet, none but the French kickshaws that are delicate; and for plays, no invention but that which now runneth an invective way, touching some particular persons, or else it is contemned before it is thoroughly understood. This is all that I have to say: that the author had no intent to wrong any one in this comedy; but, as a merry passage, here and there interlaced it with delight, which he hopes will please all, and be hurtful to none.

PROLOGUE

Where the bee can suck no honey, she leaves her sting behind; and where the bear cannot find origanum to heal his grief, he blasteth all other leaves with his breath. We fear it is like to fare so with us; that, seeing you cannot draw from our labours sweet content, you leave behind you a sour mislike, and with open reproach blame our good meaning, because you cannot reap the wonted mirth. Our intent was at this time to move inward delight, not outward lightness; and to breed (if it might be) soft smiling, not loud laughing; knowing it, to the wise, to be a great pleasure to hear counsel mixed with wit, as to the foolish, to have sport mingled with rudeness. They were banished the theatre of Athens, and from Rome hissed, that brought parasites on the stage with apish actions, or fools with uncivil habits, or courtezans with immodest words. We have endeavoured to be as far from unseemly speeches, to make your ears glow, as we hope you will be free from unkind reports, or mistaking the authors’ intention (who never aimed at any one particular in this play), to make our cheeks blush. And thus I leave it, and thee to thine own censure, to like or dislike.—VALE.

DRAMATIS PERSONÆ

Speaker of the Prologue
A Citizen.
His Wife.
Ralph, his Apprentice.
Boys.

Venturewell, a Merchant.
Humphrey.
Merrythought.
Jasper, his Sons.
Michael, his Sons.
Tim, Apprentices.
George, Apprentices.
Host.
Tapster.
Barber.
Three Men, supposed captives.
Sergeant.
William Hammerton.
George

  By PanEris using Melati.

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