Prologue

In these distracted times, when each man dreads
The bloody stratagems of busy heads;
When we have feared three years we know not what,
Till witnesses began to die o’ th’ rot,
What made our poet meddle with a plot?
Was’t that he fancied, for the very sake
And name of plot, his trifling play might take?
For there’s not in’t one inch-board evidence,
But ’tis, he says, to reason plain and sense,
And that he thinks a plausible defence.
Were Truth by Sense and Reason to be tried,
Sure all our swearers might be laid aside:
No, of such tools our author has no need,
To make his plot, or make his play succeed;
He, of black Bills, has no prodigious tales,
Or Spanish pilgrims cast ashore in Wales;
Here’s not one murther’d magistrate at least,
Kept rank like ven’son for a city feast,
Grown four days stiff, the better to prepare
And fit his pliant limbs to ride in chair:
Yet here’s an army raised, though under ground,
But no man seen, nor one commission found;
Here is a traitor too, that’s very old,
Turbulent, subtle, mischievous, and bold,
Bloody, revengeful, and to crown his part,
Loves fumbling with a wench, with all his heart;
Till after having many changes passed,
In spite of age (thanks heaven) is hanged at last;
Next is a senator that keeps a whore,
In Venice none a higher office bore;
To lewdness every night the letcher ran,
Show me, all London, such another man,
Match him at Mother Creswold’s if you can.
O Poland, Poland! had it been thy lot,
T’ have heard in time of this Venetian plot,
Thou surely chosen hadst one king from thence,
And honoured them as thou hast England since.

  By PanEris using Melati.

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