Act 3 - Scene 2
Belmont. A room in PORTIA'S house.
Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and Attendants PORTIA
I pray you, tarry: pause a day or two Before you hazard; for, in choosing wrong, I lose your company: therefore
forbear awhile. There's something tells me, but it is not love, I would not lose you; and you know yourself, Hate
counsels not in such a quality. But lest you should not understand me well, And yet a maiden hath no
tongue but thought, I would detain you here some month or two Before you venture for me. I could teach
you How to choose right, but I am then forsworn; So will I never be: so may you miss me; But if you do,
you'll make me wish a sin, That I had been forsworn. Beshrew your eyes, They have o'erlook'd me and
divided me; One half of me is yours, the other half yours, Mine own, I would say; but if mine, then yours, And
so all yours. O, these naughty times Put bars between the owners and their rights! And so, though yours,
not yours. Prove it so, Let fortune go to hell for it, not I. I speak too long; but 'tis to peize the time, To eke it
and to draw it out in length, To stay you from election. BASSANIO
Let me choose For as I am, I live upon the rack. PORTIA
Upon the rack, Bassanio! then confess What treason there is mingled with your love. BASSANIO
None but that ugly treason of mistrust, Which makes me fear the enjoying of my love: There may as well
be amity and life 'Tween snow and fire, as treason and my love. PORTIA
Ay, but I fear you speak upon the rack, Where men enforced do speak anything. BASSANIO
Promise me life, and I'll confess the truth. PORTIA
Well then, confess and live. BASSANIO
'Confess' and 'love' Had been the very sum of my confession: O happy torment, when my torturer Doth
teach me answers for deliverance! But let me to my fortune and the caskets. PORTIA
Away, then! I am lock'd in one of them: If you do love me, you will find me out. Nerissa and the rest, stand
all aloof. Let music sound while he doth make his choice; Then, if he lose, he makes a swan-like end, Fading
in music: that the comparison May stand more proper, my eye shall be the stream And watery death-bed
for him. He may win; And what is music then? Then music is Even as the flourish when true subjects
bow To a new-crowned monarch: such it is As are those dulcet sounds in break of day That creep into
the dreaming bridegroom's ear, And summon him to marriage. Now he goes, With no less presence, but
with much more love, Than young Alcides, when he did redeem The virgin tribute paid by howling Troy To
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