Lawrence's Characters
In his "Study of Thomas Hardy", Lawrence wrote that Hardy's 'passionate, individual, wilful characters
find conventional security unfrilfilling, and thus die, either from lack of strength to bear their isolation
or from their community's revenge on them. Tess Durbeyfield, for instance, having '...sided with the
community's condemnation other...' finds that she 'has become inert'. Whereas Hardy's characters usually
acquiesce, yield, submit or succumb, however, Lawrence's seem to struggle. Connie is 'aware of a growing
restlessness' but, instead of succumbing to any kind of depression, she follows her 'urge of madness' and
tries to ' rush off across the park and lie prone in the bracken. To get away from the house - she must
get away...' Mellors, too, feels an acute inner despair, but is presented differently, through objective action,
such as the saluting of Connie and the carrying of a gun, rather than through narrated monologue. This
is significant, for, whereas Lawrence presents us with much of Connie's initial perspective, Mellors provides
his own, having already begun to transform himself by being 'alone' so that he can heal 'a big wound
from old contacts...' Through Connie he seeks to transform his social and emotional incompleteness into
something positive and life affirming, through sexual fulfilment and social completion.
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