and Hamlet) are in the very dialect of the present year. I am faithful again to the whole over the members in my use of books. I find the most pleasure in reading a book in a manner least flattering to the author. I read Proclus, and sometimes Plato, as I might read a dictionary, for a mechanical help to the fancy and the imagination. I read for the lustres, as if one should use a fine picture in a chromatic experiment, for its rich colors. ’Tis not Proclus, but a piece of nature and fate that I explore. It is a greater joy to see the author’s author, than himself. A higher pleasure of the same kind I found lately at a concert, where I went to hear Handel’s Messiah. As the master overpowered the littleness and incapableness of the performers and made them conductors of his electricity, so it was easy to observe what efforts nature was making, through so many hoarse, wooden, and imperfect persons, to produce beautiful voices, fluid and soul-guided men and women. The genius of nature was paramount at the oratorio.

This preference of the genius to the parts is the secret of that deification of art, which is found in all superior minds. Art, in the artist, is proportion, or a habitual respect to the whole by an eye loving beauty in details. And the wonder and charm of it is the sanity in insanity which it denotes. Proportion is almost impossible to human beings. There is no one who does not exaggerate. In conversation, men are encumbered with personality, and talk too much. In modern sculpture, picture, and poetry, the beauty is miscellaneous ; the artist works here and there and at all points, adding and adding, instead of unfolding the unit of his thought. Beautiful details we must have, or no artist; but they must be means and never other. The eye must not lose sight for a moment of the purpose. Lively boys write to their ear and eye, and the cool reader finds nothing but sweet jingles in it. When they grow older, they respect the argument.

We obey the same intellectual integrity when we study in exceptions the law of the world. Anomalous facts, as the never quite obsolete rumors of magic and demonology, and the new allegations of phrenologists and neurologists, are of ideal use. They are good indications. Homœopathy is insignificant as an art of healing, but of great value as criticism on the hygeia or medical practice of the time. So with Mesmerism, Swedenborgism, Fourierism, and the Millennial Church; they are poor pretensions enough, but good criticism on the science, philosophy, and preaching of the day. For these abnormal insights of the adepts ought to be normal, and things of course.

All things show us that on every side we are very near to the best. It seems not worth while to execute with too much pains some one intellectual, or æsthetical, or civil feat, when presently the dream will scatter, and we shall burst into universal power. The reason of idleness and of crime is the deferring of our hopes. Whilst we are waiting we beguile the time with jokes, with sleep, with eating, and with crimes.

Thus we settle it in our cool libraries, that all the agents with which we deal are subalterns, which we can well afford to let pass, and life will be simpler when we live at the centre and flout the surfaces. I wish to speak with all respect of persons, but sometimes I must pinch myself to keep awake and preserve the due decorum. They melt so fast into each other that they are like grass and trees, and it needs an effort to treat them as individuals. Though the uninspired man certainly finds persons a conveniency in household matters, the divine man does not respect them; he sees them as a rack of clouds, or a fleet of ripples which the wind drives over the surface of the water. But this is flat rebellion. Nature will not be Buddhist: she resents generalizing, and insults the philosopher in every moment with a million of fresh particulars. It is all idle talking: as much as a man is a whole, so is he also a part; and it were partial not to see it. What you say in your pompous distribution only distributes you into your class and section. You have not got rid of parts by denying them, but are the more partial. You are one thing, but Nature is one thing and the other thing, in the same moment. She will not remain orbed in a thought, but rushes into persons; and when each person, inflamed to a fury of personality, would conquer all things to his poor crotchet, she raises up against him another person, and by many persons incarnates again a sort of whole. She will have all. Nick Bottom cannot play all the parts, work it how he may; there will be somebody else, and the world will be round. Everything must have its flower or effort at the beautiful, coarser or finer according to its stuff. They relieve and recommend each other, and the sanity of society is a balance of a thousand insanities. She punishes abstractionists, and will only forgive an induction which is rare and casual. We like to come to a height of land and see the landscape, just as we value a general remark in conversation. But it is not the intention of Nature that we should live by general