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At a private ball the guest enters and greets his hostess before speaking to any one else. She shakes hands with him and passes him on to some one to introduce him to partners, perhaps her husband, perhaps her son. With this beginning he will probably get on very well and may half-fill his card, and he should take care to do so at once, for at some balls the nice girls are immediately snapped up and engaged for even the extras before they have been twenty minutes in the room. Are you engaged for every dance, Miss Grey? Can you spare me one? And Miss Grey probably gives him one, but if he is a stranger of whose calisthenic prowess nothing is known, she is careful to give him only one. Sometimes his partners, if they discover that he dances well, introduce him to their sisters and friends. If, however, he should find himself left high and dry towards the end of the evening, he should go back to the gentlemen of the house and ask them to introduce him to somebody else. Young men of experience in such matters usually manage very well without this, but the novice has often to face the alternative of dancing no more or asking to be introduced. The supper dance. Hostesses sometimes make special introductions for the supper dance, the one immediately preceding that meal. This means that the man introduced, unless engaged to dance it with some one else, is imperatively called upon to accept the partner offered him and take her down to supper. Asking a lady to dance. After the dance. In asking a lady to dance it is usual to say, Will you give me this waltz? or May I have this barn-dance? Some young men say, Would you like to dance this? Come along then! but such a form of address is only suited to intimates. When the dance is over, and the partner left with her friends, the man says, Thank you, bows, and leaves her. Seeing a lady to her carriage. If he wishes to see any lady to her carriage, he asks her permission to do so, folds her wraps round her, hands her in, and stands until the carriage has gone some yards away. |
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