his manner of composition. While all the other assailants of the Roman empire, whether warlike or religious, the Goth, the Hun, the Arab, the Tartar, Alaric and Attila, Mahomet, and Zengis, and Tamerlane, are each introduced upon the scene almost with dramatic animation -- their progress related in a full, complete, and unbroken narrative -- the triumph of Christianity alone takes the form of a cold and critical disquisition. The successes of barbarous energy and brute force call forth all the consummate skill of composition; while the moral triumphs of Christian benevolence -- the tranquil heroism of endurance, the blameless purity, the contempt of guilty fame and of honors destructive to the human race, which, had they assumed the proud name of philosophy, would have been blazoned in his brightest words, because they own religion as their principle -- sink into narrow asceticism. The glories of Christianity, in short, touch on no chord in the heart of the writer; his imagination remains unkindled; his words, though they maintain their stately and measured march, have become cool, argumentative, and inanimate. Who would obscure one hue of that gorgeous coloring in which Gibbon has invested the dying forms of Paganism, or darken one paragraph in his splendid view of the rise and progress of Mahometanism? But who would not have wished that the same equal justice had been done to Christianity; that its real character and deeply penetrating influence had been traced with the same philosophical sagacity, and represented with more sober, as would become its quiet course, and perhaps less picturesque, but still with lively and attractive, descriptiveness? He might have thrown aside, with the same scorn, the mass of ecclesiastical fiction which envelops the early history of the church, stripped off the legendary romance, and brought out the facts in their primitive nakedness and simplicity -- if he had but allowed those facts the benefit of the glowing eloquence which he denied to them alone. He might have annihilated the whole fabric of post-apostolic miracles, if he had left uninjured by sarcastic insinuation those of the New Testament; he might have cashiered, with Dodwell, the whole host of martyrs, which owe their existence to the prodigal invention of later days, had he but bestowed fair room, and dwelt with his ordinary energy on the sufferings of the genuine witnesses to the truth of Christianity, the Polycarps, or the martyrs of Vienne.

And indeed, if, after all, the view of the early progress of Christianity be melancholy and humiliating we must beware lest we charge the whole of this on the infidelity of the historian. It is idle, it is disingenuous, to deny or to dissemble the early depravations of Christianity, its gradual but rapid departure from its primitive simplicity and purity, still more, from its spirit of universal love. It may be no unsalutary lesson to the Christian world, that this silent, this unavoidable, perhaps, yet fatal change shall have been drawn by an impartial, or even an hostile hand. The Christianity of every age may take warning, lest by its own narrow views, its want of wisdom, and its want of charity, it give the same advantage to the future unfriendly historian, and disparage the cause of true religion.

The design of the present edition is partly corrective, partly supplementary: corrective, by notes, which point out (it is hoped, in a perfectly candid and dispassionate spirit with no desire but to establish the truth) such inaccuracies or misstatements as may have been detected, particularly with regard to Christianity; and which thus, with the previous caution, may counteract to a considerable extent the unfair and unfavorable impression created against rational religion: supplementary, by adding such additional information as the editor's reading may have been able to furnish, from original documents or books, not accessible at the time when Gibbon wrote.

The work originated in the editor's habit of noting on the margin of his copy of Gibbon references to such authors as had discovered errors, or thrown new light on the subjects treated by Gibbon. These had grown to some extent, and seemed to him likely to be of use to others. The annotations of M. Guizot also appeared to him worthy of being better known to the English public than they were likely to be, as appended to the French translation.

The chief works from which the editor has derived his materials are, I. The French translation, with notes by M. Guizot; 2d edition, Paris, 1828. The editor has translated almost all the notes of M. Guizot. Where he has not altogether agreed with him, his respect for the learning and judgment of that writer has, in general, induced him to retain the statement from which he has ventured to differ, with the grounds on which he formed his own opinion. In the notes on Christianity, he has retained all those of M. Guizot, with his own, from the conviction, that on such a subject, to many, the authority of a French statesman,