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occasion he left the back of his head uncovered, and dreamed that he was taking part in a religious ceremony in the open air. In the country where he lived it was customary to keep the head always covered except on occasions of this kind." Maury reports fresh observation on self-induced dreams of his own. (A number of other experiments were unsuccessful.) 1. He was tickled with a feather on his lips and on the tip of his nose. He dreamed of an awful torture, viz., that a mask of pitch was stuck to his face and then forcibly torn off, bringing the skin with it. 2. Scissors were whetted against a pair of tweezers. He heard bells ringing, then sounds of tumult which took him back to the days of the Revolution of 1848. 3. Eau de Cologne was held to his nostrils. He found himself in Cairo, in the shop of Johann Maria Farina. This was followed by fantastic adventures which he was not able to recall. 4. His neck was lightly pinched. He dreamed that a blister was being applied, and thought of a doctor who had treated him in childhood. 5. A hot iron was brought near his face. He dreamed that chauffeurs * had broken into the house, and were forcing the occupants to give up their money by thrusting their feet into braziers. The Duchesse d'Abrantes, whose secretary he imagined himself to be then entered the room. * Chauffeurs were bands of robbers in the Vendee who resorted to this form of torture. 6. A drop of water was allowed to fall on to his forehead. He imagined himself in Italy, perspiring heavily, and drinking the white wine of Orvieto. 7. When the light of a candle screened with red paper was allowed to fall on his face, he dreamed of thunder, of heat, and of a storm at sea which he once witnessed in the English Channel. Hervey, Weygandt, and others have made attempts to produce dreams experimentally. Many have observed the striking skill of the dream in interweaving into its structure sudden impressions from the outer world, in such a manner as to represent a gradually approaching catastrophe (Hildebrandt). "In former years," this author relates, "I occasionally made use of an alarm-clock in order to wake punctually at a certain hour in the morning. It probably happened hundreds of times that the sound of this instrument fitted into an apparently very long and connected dream, as though the entire dream had been especially designed for it, as though it found in this sound its appropriate and logically indispensable climax, its inevitable denouement." I shall presently have occasion to cite three of these alarm-clock dreams in a different connection. Volkelt (p. 68) relates: "A composer once dreamed that he was teaching a class, and was just explaining something to his pupils. When he had finished he turned to one of the boys with the question: 'Did you understand me?' The boy cried out like one possessed 'Oh, ja!' Annoyed by this, he reprimanded his pupil for shouting. But now the entire class was screaming 'Orja,' then 'Eurjo,' and finally 'Feuerjo.' He was then aroused by the actual fire alarm in the street." Garnier (Traite des facultes de l'ame, 1865), on the authority of Radestock, relates that Napoleon I, while sleeping in a carriage, was awakened from a dream by an explosion which took him back to the crossing of the Tagliamento and the bombardment of the Austrians, so that he started up, crying, "We have been undermined." The following dream of Maury's has become celebrated: He was ill in bed; his mother was sitting beside him. He dreamed of the Reign of Terror during the Revolution. He witnessed some terrible scenes of |
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