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Hildebrandt (p. 45): "What wonderful jumps the dreamer permits himself, for instance, in his chain of reasoning! With what unconcern he sees the most familiar laws of experience turned upside down! What ridiculous contradictions he is able to tolerate in the order of nature and of society, before things go too far, and the very excess of nonsense leads to an awakening! Sometimes we quite innocently calculate that three times three make twenty; and we are not in the least surprised if a dog recites poetry to us, if a dead person walks to his grave, or if a rock floats on the water. We solemnly go to visit the duchy of Bernburg or the principality of Liechtenstein in order to inspect its navy; or we allow ourselves to be recruited as a volunteer by Charles XII just before the battle of Poltava." Binz (p. 33), referring to the theory of dreams resulting from these impressions, says: "Of ten dreams nine at least have an absurd content. We unite in them persons or things which do not bear the slightest relation to one another. In the next moment, as in a kaleidoscope, the grouping changes to one, if possible, even more nonsensical and irrational than before; and so the shifting play of the drowsy brain continues, until we wake, put a hand to our forehead, and ask ourselves whether we still really possess the faculty of rational imagination and thought." Maury, Le Sommeil (p. 50) makes, in respect of the relation of the dream-image to the waking thoughts, a comparison which a physician will find especially impressive: "La production de ces images que chez l'homme eveille fait le plus souvent naitre la volonte, correspond, pour l'intelligence, a ce que sont pour la motilite certains mouvements que nous offrent la choree et les affections paralytiques...." * For the rest, he considers the dream "toute une serie de degradations de la faculte pensante et raisonnante" *(2) (p. 27). * The production of those images which, in the waking man, most often excite the will, correspond, for the mind, to those which are, for the motility, certain movements that offer St. Vitus' dance and paralytic affections... *(2) A whole series of degradations of the faculty of thinking and reasoning. It is hardly necessary to cite the utterances of those authors who repeat Maury's assertion in respect of the higher individual psychic activities. According to Strumpell, in dreams- and even, of course, where the nonsensical nature of the dream is not obvious- all the logical operations of the mind, based on relations and associations, recede into the background (p. 26). According to Spitta (p. 148) ideas in dreams are entirely withdrawn from the laws of causality; while Radestock and others emphasize the feebleness of judgment and logical inference peculiar to dreams. According to Jodl (p. 123), there is no criticism in dreams, no correcting of a series of perceptions by the content of consciousness as a whole. The same author states that "All the activities of consciousness occur in dreams, but they are imperfect, inhibited, and mutually isolated." The contradictions of our conscious knowledge which occur in dreams are explained by Stricker and many others on the ground that facts are forgotten in dreams, or that the logical relations between ideas are lost (p. 98), etc., etc. Those authors who, in general, judge so unfavourably of the psychic activities of the dreamer nevertheless agree that dreams do retain a certain remnant of psychic activity. Wundt, whose teaching has influenced so many other investigators of dream-problems, expressly admits this. We may ask, what are the nature and composition of the remnants of normal psychic life which manifest themselves in dreams? It is pretty generally acknowledged that the reproductive faculty, the memory, seems to be the least affected in dreams; it may, indeed, show a certain superiority over the same function in waking life (see chapter I, B), even though some of the absurdities of dreams are to be explained by the forgetfulness of dream- life. According to Spitta, it is the sentimental life of the psyche which is not affected by sleep, and which thus directs our dreams. By sentiment (Gemut) he means "the constant sum of the emotions as the inmost subjective essence of the man" (p. 84). |
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