III.

Here is a man's dream: He sees two boys tussling with each other; they are cooper's boys, as he concludes from the tools which are lying about; one of the boys has thrown the other down; the prostrate boy is wearing ear-rings with blue stones. He runs towards the assailant with lifted cane, in order to chastise him. The boy takes refuge behind a woman, as though she were his mother, who is standing against a wooden fence. She is the wife of a day-labourer, and she turns her back to the man who is dreaming. Finally she turns about and stares at him with a horrible look, so that he runs away in terror; the red flesh of the lower lid seems to stand out from her eyes.

This dream has made abundant use of trivial occurrences from the previous day, in the course of which he actually saw two boys in the street, one of whom threw the other down. When he walked up to them in order to settle the quarrel, both of them took to their heels. Cooper's boys- this is explained only by a

subsequent dream, in the analysis of which he used the proverbial expression: "To knock the bottom out of the barrel." Ear-rings with blue stones, according to his observation, are worn chiefly by prostitutes. This suggests a familiar doggerel rhyme about two boys: "The other boy was called Marie": that is, he was a girl. The woman standing by the fence: after the scene with the two boys he went for a walk along the bank of the Danube and, taking advantage of being alone, urinated against a wooden fence. A little farther on a respectably dressed, elderly lady smiled at him very pleasantly and wanted to hand him her card with her address.

Since, in the dream, the woman stood as he had stood while urinating, there is an allusion to a woman urinating, and this explains the horrible look and the prominence of the red flesh, which can only refer to the genitals gaping in a squatting posture; seen in childhood, they had appeared in later recollection as proud flesh, as a wound. The dream unites two occasions upon which, as a little boy, the dreamer was enabled to see the genitals of little girls, once by throwing the little girl down, and once while the child was urinating; and, as is shown by another association, he had retained in his memory the punishment administered or threatened by his father on account of these manifestations of sexual curiosity. -

IV.

A great mass of childish memories, which have been hastily combined into a phantasy, may be found behind the following dream of an elderly lady: She goes out in a hurry to do some shopping. On the Graben she sinks to her knees as though she had broken down. A number of people collect around her, especially cabdrivers, but no one helps her to get up. She makes many vain attempts; finally she must have succeeded, for she is put into a cab which is to take her home. A large, heavily laden basket (something like a market- basket) is thrown after her through the window.

This is the woman who is always harassed in her dreams; just as she used to be harassed when a child. The first situation of the dream is apparently taken from the sight of a fallen horse; just as broken down points to horse-racing. In her youth she was a rider; still earlier she was probably also a horse. With the idea of falling down is connected her first childish reminiscence of the seventeen-year-old son of the hall porter, who had an epileptic seizure in the street and was brought home in a cab. Of this, of course, she had only heard, but the idea of epileptic fits, of falling down, acquired a great influence over her phantasies, and later on influenced the form of her own hysterical attacks. When a person of the female sex dreams of falling, this almost always has a sexual significance; she becomes a fallen woman, and, for the purpose of the dream under consideration, this interpretation is probably the least doubtful, for she falls in the Graben, the street in Vienna which is known as the concourse of prostitutes. The market-basket admits of more than one interpretation; in the sense of refusal (German, Korb = basket = snub, refusal) it reminds her of the many snubs which she at first administered to her suitors and which, she thinks, she herself received later. This agrees with the detail: no one will help her up, which she herself interprets as being disdained. Further, the market-basket recalls phantasies which have already appeared in the course of analysis, in which she imagines that she has married far beneath her station