they deemed their banishment, and that when they willed it, they could make Pontoise a pleasanter residence than Paris.

Of all the nations in the world the French are the most renowned for singing over their grievances. Of that country it has been remarked with some truth, that its whole history may be traced in its songs. When Law, by the utter failure of his best-laid plans, rendered himself obnoxious, satire of course seized hold upon him, and, while caricatures of his person appeared in all the shops, the streets resounded with songs, in which neither he nor the Regent was spared. Many of these songs were far from decent; and one of them in particular counselled the application of all his notes to the most ignoble use to which paper can be applied. But the following, preserved in the letters of the Duchess of Orleans, was the best and the most popular, and was to be heard for months in all the carrefours of Paris. The application of the chorus is happy enough :—

   Aussitot que Lass arriva
      Dans notre bonne ville,
   Monsieur le Regent publia
      Que Lass serait utile
   Pour retablir la nation.
La faridondaine! la faridondon!
   Mais il nous a tous enrich!,

Biribi!
A la facon de Barbari,

Mon ami!

   Ce parpaillot, pour attirer

Tout l’argent de la France,   Songea d’abord à s’assurer

De notre confiance.   Il fit son abjuration.
La faridondaine! la faridondon!
   Mais le fourbe s’est converti,

Biribi!
A la facon de Barbari,

Mon ami!

   Lass, le fils aine de Satan
      Nous met tous à l’aumône,
   Il nous a pris tout notre argent
      Et n’en rend a personne.
   Mais le Regent, humain et bon,
La faridondaine! la faridondon!
   Nous rendra ce qu’on nous a pris,

Biribi!
A la facon de Barbari,

Mon ami!

The following smart epigram is of the same date:

Lundi, j’achetai des actions;
Mardi, je gagnai des millions;
Mercredi, j’arrangeai mon menage, Jeudi,
je pris un equipage,
Vendredi, je m’en fus au bal,
Et Samedi, à l’Hôpital.

Among the caricatures that were abundantly published, and that showed as plainly as graver matters, that the nation had awakened to a sense of its folly, was one, a fac-simile of which is preserved in the Mémoires de la Regence. It was thus described by its author: “The ‘Goddess of Shares,’ in her triumphal car, driven by the Goddess of Folly. Those who are drawing the car are impersonations of the Mississippi, with his wooden leg, the South Sea, the Bank of England, the Company of the West of Senegal, and of various assurances. Lest the car should not roll fast enough, the agents of these companies, known by their long fox-tails and their cunning looks, turn round the spokes of the wheels, upon which are marked the names of the several stocks, and their value, sometimes high and sometimes low, according to the turns of the wheel. Upon the ground are the merchandise, day-books and ledgers of legitimate commerce, crushed under the chariot of Folly. Behind is an immense crowd of persons, of all ages, sexes, and conditions, clamoring after Fortune, and fighting with each other to get a portion of the shares which she distributes so bountifully among them. In the clouds sits a demon, blowing bubbles of soap, which are also the objects of the admiration and cupidity of the crowd, who jump upon one another’s backs to reach them ere they burst. Right in the pathway of the car, and blocking up the passage, stands a large


  By PanEris using Melati.

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