The man complained about this to an old dame, who told him, `Try different ways in uniting yourself to her, until you find the one which best satisfies her. Then work her in this fashion only, and her affection tor you will know no limit.'

He then tried upon his wife various manners of coition, and when he came to the one called dok el arz he saw her overcome by violent transports of love, and at the crisis of pleasure he felt her womb grasp his verge energetically; and she said to him, biting his lips, `This is the veritable manner of making love!'

These demonstrations proved to the lover, in fact, that his mistress felt in that position the most lively pleasure, and he always thenceforward worked with her in that way. Thus he attained his end, and caused the woman to love him to folly.

Therefore try different manners; for every woman likes one in preference to all other for her pleasure. The majority of them have, however, a predilection for the dok el arz, as, in the application of the same, belly is pressed to belly, mouth glued to mouth, and the action of the womb is rarely absent.

I have now only to mention the various movements practised during coitus, and shall describe some of them.

FIRST MOVEMENT - Neza el dela (the bucket in the well). The man and woman join in close embrace after the introduction. Then he gives a push, and withdraws a little; the woman follows him with a push, and also retires. So they continue their alternate movement, keeping proper time. Placing foot against foot, and hand against hand, they keep up the motion of a bucket in a well.

SECOND MOVEMENT - El netahi (the mutual shock). After the introduction, they each draw back, but without dislodging the member completely. Then they both push tightly together, and thus go on keeping time.

THIRD MOVEMENT - El motadani (the approach). The man moves as usual, and then stops. Then the woman, with the member in her receptacle, begins to move like the man, and then stops. And they continue this way until the ejaculation comes.

FOURTH MOVEMENT - Khiate el heub (love's tailor). The man, with his member being only partially inserted in the vulva, keeps up a sort of quick friction with the part that is in, and then suddenly plunges his whole member in up to its root. This is the movement of the needle in the hands of die tailor, of which the man and woman must take cognisance.

Such a movement only suits those men and women who can at will retard the crisis. With those who are otherwise constituted it would act too quickly.

FIFTH MOVEMENT - Souak el feurdj (the toothpick in the vulva). The man introduces his member between the walls of the vulva, and then drives it up and down, and right and left. Only a man with a very vigorous member can execute this movement.

SIXTH MOVEMENT - Tâhik el heub (the boxing up of love). The man introduces his member entirely into the vagina, so closely that his hairs are completely mixed up with the woman's. In that position he must now move forcibly, without withdrawing his tool in the least.

This is the best of all the movements, and is particularly well adapted to the position dok el arz. Women prefer it to any other kind, as it procures them the extreme pleasure of seizing the member with their womb; and appeases their lust most completely.

Those women called tribades always use this movement m their mutual caresses. And it provokes prompt ejaculation both with man and woman.


  By PanEris using Melati.

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