a swaying movement, moving with little concussions, and keeping their movements in exact rhythm by the assistance of their heels. which are resting on the ground.

TWENTY-THIRD MANNER - El khouariki (the one who stops at home). he woman being couched on her back, the man lies down upon her, with cushions held in his hands.

After his member is in, the woman raises her buttocks as high as she can off the bed, the man following her up with his member well inside; then the woman lowers herself again upon the bed, giving some short shocks, and although they do not embrace, the man must stick like glue to her. This movement they continue, but the man must make himself light and must not be ponderous, and the bed must be soft; in default of which the exercise cannot be kept up without break

TWENTY-FOURTH MANNER - Nik el haddadi (the coition of the blacksmith). The woman lies on her back with a cushion under her buttocks, and her knees raised as far as possible towards her chest, so that her vulva stands out as a target; she then guides her partner's member in.

The man executes for some time the usual action of coition, then draws his tool out of the vulva, and glides it for a moment between the thighs of the woman, as the smith withdraws the glowing iron from the furnace in order to plunge it into cold water. This manner is called sferdgeli, position of the quince.

TWENTY-FIFTH MANNER - El moheundi (the seducer). The woman lying on her back, the man sits between her legs, with his croupe on his feet; then he raises and separates the women's thighs, placing her legs under his arms, or over his shoulders; he then takes her round the waist, or seizes her shoulders.


The preceding descriptions furnish a large number of procedures, that cannot well be all put to the proof; but with such a variety to choose from, the man who finds one of them difficult to practise, can easily find plenty of others more to his convenience.

I have not made mention of positions which it appeared to me impossible to realize, and if there be anybody who thinks that those which I have described are not exhaustive, he has only to look for new ones.

It cannot be gainsaid that the Indians have surmounted the greatest difficulties in respect to coition. As a grand exploit, originating with them, the following may be cited:

The woman being stretched out on her back, the man sits down on her chest, with his back turned to her face, his knees turned forward and his nails gripping the ground; he then raises her hips, arching her back until he has brought her vulva face to face with his member, which he then inserts, and thus gains his purpose.
This position, as you perceive, is very fatiguing and very difficult to attain. I even believe that the only realization of it consists in words and designs. With regard to the other methods described above, they can only be practised if both man and woman are free from physical defects, and of analogous construction; for instance, one or the other of them must not be hunchbacked, or very little, or very tall, or too obese. And I repeat, that both must be in perfect health.

I shall now treat of coition between two persons of different conformation. I shall particularise the positions that will suit them in treating each of them severally.

I shall first discourse of the coition of a lean man and a corpulent woman, and the different postures they may assume for the act, assuming the woman to be lying down, and being turned successively over on her four sides.

If the man wants to work her sideways he takes the thigh of the woman which is uppermost, and raises it as high as possible on his flank, so that it rests over his waist; he employs her undermost arm as a pillow for the support of his head, and he takes care to place a stout cushion beneath his undermost hip, so as to elevate his member to the necessary height, which is indispensable on account of the thickness of the woman's thighs.


  By PanEris using Melati.

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